Tears For Fears - Songs From The Big Chair (Deluxe 2CD) [EAC-FLAC] [RePoPo]

******************************************************************************* Tears For Fears - Songs From The Big Chair ******************************************************************************* CD: Tears For Fears - Songs From The Big Chair (Deluxe Edition) (Disc 1) 01. Shout [0:06:33.43] 02. The Working Hour [0:06:31.50] 03. Everybody Wants To Rule The World [0:04:12.43] 04. Mothers Talk [0:05:07.60] 05. I Believe [0:04:55.35] 06. Broken [0:02:38.31] 07. Head Over Heels/Broken (Live) [0:05:02.26] 08. Listen [0:06:57.56] 09. The Working Hour (Piano Version) (From UK Cassette Of Album) [0:02:09.69] 10. The Marauders (B-Side Of "The Way You Are") [0:04:18.24] 11. Empire Building (B-Side Of "Mothers Talk") [0:02:50.37] 12. The Big Chair (B-Side Of "Shout") [0:03:35.17] 13. Pharaohs (B-Side Of "Everybody Wants To Rule The World") [0:03:43.52] 14. When In Love With A Blind Man (B-Side Of "Head Over Heels - Remix") [0:02:26.61] 15. Sea Song (B-Side Of "I Believe - A Soulful Re-Recording") [0:03:50.69] 16. Broken Revisited [0:05:17.49] CD: Tears For Fears - Songs From The Big Chair (Deluxe Edition Disc 2) 01. The Way You Are (7" Single) [0:04:59.20] 02. Mothers Talk (7" Single) [0:03:54.66] 03. Shout (7" Single) [0:04:52.46] 04. Everybody Wants To Rule The World (7" Single) [0:04:14.33] 05. Head Over Heels (Remix) (7" Single) [0:04:18.24] 06. I Believe (A Soulful Re-Recording) (7" Single) [0:04:41.60] 07. Mothers Talk (US Remix) (7" Single) [0:04:17.05] 08. Shout (US Remix) (12" Single) [0:08:03.28] 09. Shout (US Dub Version) (12" Single) [0:06:48.23] 10. Everybody Wants To Rule The World (Urban Mix) (12" Single) [0:06:00.04] 11. Mothers Talk (Beat Of The Drum Mix) (12" Single) [0:08:58.22] 12. Broken-Head Over Heels-Broken (Preacher Mix) (12" Single) [0:08:04.03] ------------------------------------------------------------------------------- THE ALLMUSIC REVIEW ------------------------------------------------------------------------------- Review by Stanton Swihart If The Hurting was mental anguish, Songs from the Big Chair marks the progression towards emotional healing, a particularly bold sort of catharsis culled from Roland Orzabal and Curt Smith's shared attraction to primal scream therapy. The album also heralded a dramatic maturation in the band's music, away from the synth pop brand with which it was (unjustly) seared following the debut, and towards a complex, enveloping pop sophistication. The songwriting of Orzabal, Smith, and keyboardist Ian Stanley took a huge leap forward, drawing on reserves of palpable emotion and lovely, protracted melodies that draw just as much on soul and R&B music as they do on immediate pop hooks. The album could almost be called pseudo-conceptual, as each song holds its place and each is integral to the overall tapestry, a single-minded resolve that is easy to overlook when an album is as commercially successful as Songs from the Big Chair. And commercially successful it was, containing no less than three huge commercial radio hits, including the dramatic and insistent march, "Shout" and the shimmering, cascading "Head Over Heels," which, tellingly, is actually part of a song suite on the album. Orzabal and Smith's penchant for theorizing with steely-eyed austerity was mistaken for harsh bombasticism in some quarters, but separated from its era, the album only seems earnestly passionate and immediate, and each song has the same driven intent and the same glistening remoteness. It is not only a commercial triumph, it is an artistic tour de force. And in the loping, percolating "Everybody Wants to Rule the World," Tears for Fears perfectly captured the zeitgeist of the mid-'80s while impossibly managing to also create a dreamy, timeless pop classic. Songs from the Big Chair is one of the finest statements of the decade. [The deluxe edition, released in 2006, adds seven B-sides, the non-album A-side "The Way You Are," and a dozen 7" and 12" mixes.] ------------------------------------------------------------------------------- SOME SONGS REVIEWED BY ALLMUSIC ------------------------------------------------------------------------------- SHOUT Song Review by Chris True One of the most recognizable songs from the mid-eighties, “Shout” (along with “Everybody Wants to Rule the World”) became Tears for Fears signature moments (and became their second No. 1 U.S. single). For a band named after primal scream therapy, writing a song that wanted to protest the madness going on around them by,well, shouting, makes perfect sense. So in one respect, it’s their signature song because it sums up the purpose of the band (up to that point) so well. In another, its a signature song because of its utter simplicity. Driven by its percussion track, “Shout” adds layer after layer as the song progresses, but never strays from its purpose or gets weighted down by complex structures. The melodies remain simple even in the solos, the production never gets out of control. With “Shout,” Tears for Fears had found the most direct way to create a call-to-arms song that would remain in the pop consciousness for years. ------------------------------------------------------------------------------- EVERYBODY WANTS TO RULE THE WORLD Song Review by Stewart Mason "Everybody Wants To Rule the World" sounds like an entirely different band than the mopey British duo that recorded 1983's pretty but pained The Hurting. It's big, and anthemic, and it sounds, for lack of a better descriptive term, American. Clearly, this song was designed for one main purpose: to crack the US charts in a big way, which it in fact did. Opening with a pealing guitar curlicue (and featuring not one but two hard-rocking guitar solos), the song dismisses the band's weedy synth-pop roots in favor of a more muscular sound. The middle eight could come out of a Def Leppard song! Lyrically, the first album's obsessions with Arthur Janov's primal scream therapy are jettisoned in favor of a more elliptical set of concerns. Frankly, the lyrics don't come together particularly well, but they sound good, and the chorus is a terrific singalong. This is one of the best pure chart pop singles of 1985. ------------------------------------------------------------------------------- MOTHERS TALK Song Review by Stewart Mason "Mothers Talk" is by some distance the most dated-sounding song on Songs From The Big Chair, consisting as it does primarily of booming gated drum samples and Fairlight orchestral stabs under a kind of half-rapped Roland Orzabal lead vocal. It frankly sounds like a song that was half-written and added onto the album at the last moment as a filler track. That said, however, it actually fits perfectly on the album; coming at the end of side one, directly after the dreamy "Everybody Wants To Rule the World" (itself the third mid-tempo song in a row), the uncharacteristic urgency of the call-and-response vocals and Curt Smith's constricted-but-funky bass line (think of Fear of Music-era Talking Heads) delivers a much-needed jolt of energy to the album. After the record company had pulled three big hits out of the album, some bright bulb attempted a more "normal" sounding remix of "Mothers Talk" for US radio, but it was a complete botch, reducing the song's already thin charms. This version is available as a bonus track on some CD versions of the album. ------------------------------------------------------------------------------- IMPORTANT: PLEASE READ (A REQUEST) ------------------------------------------------------------------------------- It's usual to post comments only to complain about a torrent which doesn't work in your configuration. It's normal, after a few hours/days downloading and expecting a release, to feel deceived if it doesn't work properly, and expressing this is legitimate. I've often found one comment (negative) on a movie/CD downloaded by 2000+ people, and since that single negative feedback, people simply stop downloading and therefore, sharing. 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PGHammer (2011-01-29)

Track three (Everybody Wants to Rule the World) has become (and remained) the "signature track" for Tears for Fears in the US; in fact, it still shows up in movie soundtracks set in the period the group launched in (TV shows as well).