Telemann - Double & Triple Concertos

Philip Telemann - Double & Triple Concertos mp3 vbr 223-239 kbit/s ----------- Artists ------------ Friedemann Immer Michael Laird Ian Wilson Stephen Preston John Turner Monica Huggett Claire Shanks Christopher Hogwood (Conductor) The Academy of Ancient Music ----------- Tracks ------------ 01-04 Concerto for 3 trumpets, timpani, strings & continuo in D major, TWV 54:D4 Composed by Georg Philipp Telemann Performed by Academy of Ancient Music (UK) with Friedemann Immer, Michael Laird, Ian Wilson 05-07 Quartet (Concerto) for 2 violins, viola & continuo in B flat major, TWV 43:B2 Composed by Georg Philipp Telemann Performed by Academy of Ancient Music (UK) 08-11 Concerto for flute, violin & strings in E minor "Concerto à Sei", TWV 52:e3 Composed by Georg Philipp Telemann Performed by Academy of Ancient Music (UK) with John Turner, Stephen Preston 12-14 Concerto alla Polonese, for strings & continuo in G major (a.k.a "Concerto Polonois"), TWV 43:G7 Composed by Georg Philipp Telemann Performed by Academy of Ancient Music (UK) 15-18 Concerto for flute, oboe d'amore, viola d'amore, strings & continuo in E major, TWV 53:E1 Composed by Georg Philipp Telemann Performed by Academy of Ancient Music (UK) with Stephen Preston, Monica Huggett, Claire Shanks In addition to volumes and volumes of church and chamber music, the astonishingly prolific Georg Philipp Telemann wrote a great many concertos--the most engaging of which are those for two or more solo instruments, often in interesting combinations. It must be said that many of these concertos are a bit lightweight, but they are lively and diverting--and Christopher Hogwood and the baroque-instrument specialists of the Academy of Ancient Music give them accomplished, persuasive performances. Among the tasty confections here are a vigorous concerto for three trumpets; a double concerto for recorder and transverse flute--in the 18th-century context, the old-fashioned and the newfangled side by side; and the "Concerto polonois" for string orchestra without soloists, based on rustic dance music Telemann heard in Poland as a young man. Then there's the gorgeous concerto for flute, oboe d'amore, and viola d'amore (the last two being lower-pitched versions of the oboe and viola): in the hands of Stephen Preston, Clare Shanks, and Monica Huggett, respectively, Telemann's music for these aptly named instruments brings to mind waking up on a bright sunny morning with your true love in your arms. Matthew Westphal muzik62

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