Public Enemy - New Whirl Odor (Advance) - 2005 - FM

+----------------+------------------------------------------+----------------+ | | | Artist : Public Enemy | | Album : New Whirl Odor (Advance) | | Bitrate : VBR kbps | | | +-------------------------------[Release Info]-------------------------------+ | | | Label : Slam Jamz Records | | Year : 2005 | | Genre : Rap | | Rip date : 2005-08-30 | | Store date : 2005-11-01 | | Size : 90 megs | | | +--------------------------------[Track List]--------------------------------+ | | | 1. Intro 0:33 | | 2. New Whirl Odor 3:24 | | 3. Bring That Beat Back 4:17 | | 4. Intermission One 1:45 | | 5. Put Yo Hands In The Air 3:24 | | 6. Questions 3:07 | | 7. Makes Ya Blind 5:34 | | 8. Look It Here 4:27 | | 9. Get Down 1:44 | | 10. The Revolution Rocks On 4:19 | | 11. Check What Ya Listenin' To 5:46 | | 12. Somethin' To Say 3:23 | | 13. So What Ya Sayin' 4:01 | | 14. Intermission Two 1:15 | | 15. Back In The Building 11:50 | | ----------------------------------------------------------------------- | | 58:49 | | | +-------------------------------[Release Notes]------------------------------+ | | | Their first studio album in over three years... a couple months in | | advance. Check it out... | | | | Public Enemy rewrote the rules of hip-hop, becoming the most influential | | and controversial rap group of the late '80s and, for many, the | | definitive rap group of all time. Building from Run-D.M.C.'s | | street-oriented beats and Boogie Down Productions' proto-gangsta | | rhyming, Public Enemy pioneered a variation of hardcore rap that was | | musically and politically revolutionary. With his powerful, | | authoritative baritone, lead rapper Chuck D rhymed about all kinds of | | social problems, particularly those plaguing the black community, often | | condoning revolutionary tactics and social activism. In the process, he | | directed hip-hop toward an explicitly self-aware, pro-black | | consciousness that became the culture's signature throughout the next | | decade. Musically, Public Enemy were just as revolutionary, as their | | production team, the Bomb Squad, created dense soundscapes that relied | | on avant-garde cut-and-paste techniques, unrecognizable samples, | | piercing sirens, relentless beats, and deep funk. It was chaotic and | | invigorating music, made all the more intoxicating by Chuck D's forceful | | vocals and the absurdist raps of his comic foil Flavor Flav. With his | | comic sunglasses and an oversized clock hanging from his neck, Flav | | became the group's visual focal point, but he never obscured the music. | | While rap and rock critics embraced the group's late-'80s and early-'90s | | records, Public Enemy frequently ran into controversy with their | | militant stance and lyrics, especially after their 1988 album, It Takes | | a Nation of Millions to Hold Us Back, made them into celebrities. After | | all the controversy settled in the early '90s, once the group entered a | | hiatus, it became clear that Public Enemy were the most influential and | | radical band of their time. | | | +----------------------------------------------------------------------------+

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