Steamhammer-Speech(1972)(2009 Repertoire Rem.)[EAC-FLAC][TWR74][

Releaser: thewall Extractor: EAC 0.99 prebeta 4 Read Mode: Secure with NO C2, accurate stream, disable cache. Codec: Flac 1.2.1; Level 8 Source: Original CD Artwork: Full Scans 300dp. In the late Summer of that 1970, Steamhammer toured for the last time in Germany and the Benelux. The following Autumn, the line-up changed again. Only Pugh and Bradley stayed together and engaged ex-Renaissance member Louis Cennamo (b) for the recording of one more album. "Speech" was recorded in the Winter of 1971 and released in the beginning of 1972. By that time, Steamhammer had ceased to exsist. Diverging from the typical power rock style on Speech, their fourth and final album, the band found themselves in a dilemma without their vocalist, who had left after the previous release, Mountains. This led to a radical development for the band. Instead of hiring a new singer, the rest of the group picked up the slack, and reduced the role of the vocals significantly, opting for a progressive jam style that was hugely innovative for its time. Guitarist Martin Pugh offers a crashing, furious style that mixes Jimmy Page with early Robert Fripp. When Pugh seeks passages of beauty and tranquility, he finds them with ease, but when he aims for intensity, watch out! He literally attacks the listener, pounding them with his mammoth, perfectly executed riffs. Meanwhile, bassist Louis Cennamo is so talented and innovative that he single-handedly brought the bow into rock music with his bowed bass intro to the album. Several years before Page would pick up the bow for "Kashmir," Cennamo uses the bowed bass as means to an end, not for simple effect. Just as a normal bassist alone, masters within the genre owe their lifeblood to him. For he is able to play along with just about the toughest, most technical drumming around, that of drummer Mick Bradley, who is easily the most accomplished musician of the trio. To state that he is rock's greatest drummer is simply not enough. His energetic approach to the drum kit helped him become one of the first and only drummers in rock history, along with King Crimson's Michael Giles, to use polyrhythmic drumming, a style commonly used by jazz drummers. His dynamic performance on the primarily instrumental "For Against," which blows away John Bonham's "Moby Dick" and Ginger Baker's "Toad" in a heartbeat. On this album, there was a rumor that the band received some secret vocal and lyrical help from Yardbirds vocalist Keith Relf. Whether or not this is true remains a mystery, but what is fact, sadly, is that not long after this album Mick Bradley succumbed to Leukemia and passed away. This marked the end of Steamhammer, but the other two members forged on, forming a band called Armageddon. Speech is one of rock's finest and most creative hours, and one tends to wonder where Steamhammer could have gone from this point on had it not been for obscurity and sudden tragedy. track Listings 1. Penumbra 2. Telegram 3. For Against Line-up/Musicians - Martin Pugh / guitar, vocals - Louis Cennamo / bass, vocals - Mickey Bradley / drums With: - Garth Watt-Roy / clarinet, vocals

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