Gil Scott Heron - Im New Here - [2010]

__/ __ __ _:_ / __ _________)//_ )|( _\(________ .........|_ _:___ / |/ /___:_ _|........ : | \| : |// | : : __: :__ : :_ . ATRium . ATRium . ATRium . ATRium . muiRTA . _: | | _:_ _ __|__ . ATRium . ATRium . ATRium . ATRium . ATRium . muiRTA . __|__ _ _:_ |((// \))| |/ @@@@@@ @@@@@@@ @@@@@@@ @@@ @@@ @@@ @@@@@@@@@@ | | dreams @@@@@@@@ @@@@@@@ @@@@@@@@ @@@ @@@ @@@ @@@@@@@@@@@ my | | @@! @@@ @@! @@! @@@ @@! @@! @@@ @@! @@! @@! | | are . !@! @!@ !@! !@! @!@ !@! !@! @!@ !@! !@! !@! reality | | . @!@!@!@! @!! @!@!!@! !!@ @!@ !@! @!! !!@ @!@ . | :_ . !!!@!!!! !!! !!@!@! !!! !@! !!! !@! ! !@! . _| . !!: !!! !!: !!: :!! !!: !!: !!! !!: !!: . / . . !:! !:! !:! . /. | . :: ::: :: :: ::: :: ::::: :: ::: :: . | | . : : : : : : : : : : : : : . | : . : _ Gil Scott-Heron - I'm New Here /_ | | | . ATRium . ATRium . ATRium . ATRium . ATRium . ATRium . ATRium . muiRTA . : |__________________________________________________________________________ | /_. | genre........: Jazz+Funk+blues songs............: 15 | | source.......: CDDA time.............: 28:25 min | | type.........: Album size.............: 28,3 MB | | label........: XL Recordings encoder..........: Lame 3.97 | | catalog......: XLCD471 release.date.....: 04-03-2010 | | year.........: 2010 quality..........: VBR 138kbps avg. | : __ _ ........images [x] | _| _| songs list _ _ _______\_ __________________________________________ _| (_|(_| / \__ | | /_//__/ | | | | 01. On Coming From A Broken Home (Part 1) [02:21] | | 02. Me And The Devil [03:34] | | 03. I'm New Here [03:33] | | 04. Your Soul And Mine [02:02] | | 05. Parents (Interlude) [00:19] | | 06. I'll Take Care Of You [02:58] | | 07. Being Blessed (Interlude) [00:13] | | 08. Where Did The Night Go [01:14] | | 09. I Was Guided (Interlude) [00:14] | | 10. New York Is Killing Me [04:30] | | 11. Certain Things (Interlude) [00:09] | | 12. Running [02:01] | | 13. The Crutch [02:45] | | 14. I've Been Me (Interlude) [00:17] | | 15. On Coming From A Broken Home (Part 2) [02:15] | | ------- | | 28:25 min| | 28,3 MB | (.) _____ |_ _|_ release notes _____ _ _____//_/_____________________________________ _|/ )|( __/\_/ | |/ | | previous release got nuked, here is the proper with pics, as always. | | you can see the size difference. enjoy | | | _| (.) |_ _ group misc _o/__ ___________________________________________________ _| |/ )| | you can send us a message through irc. all you have to do is : /_| | /msg #atrium . dont copy like a moron. : | second option is : [email protected] /* */ | | | | REMEMBER: -there is nothing like holding the original- | | | | \ thanks to eMi for the inspiration. | | | |_ _________ ________ _| //_ __________ _ _:___ /___:_ _ _________ _ _\ \| last update @ 14.1o.2oo9 |// | | | kunefa/FINEST | | | |___ -(.)- / ___| /___ ___ ) __ _|_ __ /(___ ___ \ )|( // /_|/_ _ __ :/ __ _ /

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daba_1 (2010-03-08)

One of the most important progenitors of rap music, Gil Scott-Heron's aggressive, no-nonsense street poetry inspired a legion of intelligent rappers while his engaging songwriting skills placed him square in the R&B charts later in his career, backed by increasingly contemporary production courtesy of Malcolm Cecil and Nile Rodgers (of Chic). Born in Chicago but transplanted to Tennessee for his early years, Scott-Heron spent most of his high-school years in the Bronx, where he learned firsthand many of the experiences which later made up his songwriting material. He had begun writing before reaching his teenage years, however, and completed his first volume of poetry at the age of 13. Though he attended college in Pennsylvania, he dropped out after one year to concentrate on his writing career and earned plaudits for his novel, The Vulture. Encouraged at the end of the '60s to begin recording by legendary jazz producer Bob Thiele -- who had worked with every major jazz great, from Louis Armstrong to John Coltrane -- Scott-Heron released his 1970 debut, Small Talk at 125th and Lenox, inspired by a volume of poetry of the same name. With Thiele's Flying Dutchman Records until the mid-'70s, he signed to Arista soon after and found success on the R&B charts. Though his jazz-based work of the early '70s was tempered by a slicker disco-inspired production, Scott-Heron's message was as clear as ever on the Top 30 single "Johannesburg" and the number 15 hit "Angel Dust." Silent for almost a decade, after the release of his 1984 single "Re-Ron," the proto-rapper returned to recording in the mid-'90s with a message for the gangsta rappers who had come in his wake; Scott-Heron's 1994 album Spirits began with "Message to the Messengers," pointed squarely at the rappers whose influence -- positive or negative -- meant much to the children of the 1990s.
In a touching bit of irony which he himself was quick to joke about, Gil Scott-Heron was born on April Fool's Day 1949 in Chicago, the son of a Jamaican professional soccer player (who spent time playing for Glasgow Celtic) and a college-graduate mother who worked as a librarian. His parents divorced early in his life, and Scott-Heron was sent to live with his grandmother in Lincoln, TN. Learning musical and literary instruction from her, Scott-Heron also learned about prejudice firsthand, as he was one of three children picked to integrate an elementary school in nearby Jackson. The abuse proved too much to bear, however, and the eighth-grader was sent to New York to live with his mother, first in the Bronx and later in the Hispanic neighborhood of Chelsea.
Though Scott-Heron's experiences in Tennessee must have been difficult, they proved to be the seed of his writing career, as his first volume of poetry was written around that time. His education in the New York City school system also proved beneficial, introducing the youth to the work of Harlem Renaissance poet Langston Hughes as well as LeRoi Jones. After publishing a novel called The Vulture in 1968, Scott-Heron applied to Pennsylvania's Lincoln University. Though he spent less than one year there, it was enough time to meet Brian Jackson, a similarly minded musician who would later become a crucial collaborator and integral part of Scott-Heron's band. Given a bit of exposure -- mostly in magazines like Essence, which called The Vulture "a strong start for a writer with important things to say" -- Scott-Heron met up with Bob Thiele and was encouraged to begin a music career, reading selections from his book of poetry Small Talk at 125th & Lennox while Thiele recorded a collective of jazz and funk musicians, including bassist Ron Carter, drummer Bernard "Pretty" Purdie, Hubert Laws on flute and alto saxophone, and percussionists Eddie Knowles and Charlie Saunders; Scott-Heron also recruited Jackson to play on the record as pianist. Most important on the album was "The Revolution Will Not Be Televised," an aggressive polemic against the major media and white America's ignorance of increasingly deter

WkNd (2011-01-27)

Cheers, going to buy this if it lives up to my expectations =)

Mat2001uk (2011-03-07)

What WkNd said, to the letter.

gagzod (2011-05-31)

RIP Gil
Legend