Garage-Punk-New Wave-Neo-Psych 1977-2004 (9 Good Albums)

Size: 968 MB Bitrade: 256 mp3 Ripped By: ChrisGoes(Rock) Artwork Included Tracker: tracker.prq.to/announce ************************************************************************************ http://img472.imageshack.us/img472/7710/beacavemanfront5wd.jpg Be A Caveman - The Best Of Voxx Garage Revival (80s US Garage Punk) From 1979 onward, the Voxx label has been the home of more 1960s garage revivalist bands than any other company, although the label's activities tapered off in the early '90s. This is a 27-song survey of Voxx's output (excluding the actual '60s garage bands whose material it reissued occasionally). Many of these names were among the best-known groups in this rather insular movement, such as DMZ, the Crawdaddys, the Barracudas, Plan 9, the Unclaimed, the Pandoras, the Tell Tale Hearts, the Fuzztones, the Cynics, and the Chesterfield Kings. There are a few names that might be unfamiliar to those steeped in the style, like the Time Beings, the Leopards, the Event, and the Laughing Soup Dish. But even if you're the purist who only wants to hear the original 1960s garage recordings, you'll probably recognize most of these bands, if only because so many of them advertised in (and wrote for) fanzines detailing obscure 1960s garage music. The music on this disc? It's a cliché by now to note that it's not as exciting as the obscure 1960s recordings it's modeled on, but that's no less valid a statement than it ever was. Those songs that are covers of old nuggets don't match the original versions; much of the original material sounds like form without the content. Some non-standard garage influences peek through occasionally, such as surf, punk, and polished late-'60s British psychedelia, but for the most part it's bluesy, simple 1966-style ranting. The Leopards' late-'60s Kinks-style vaudeville-mod satire "Psychedelic Boy" really stands out (refreshingly so) in this context as something a little different. Should you want just one overview sampler of the genre, though, this -- despite the absence of some of the more celebrated names, such as the Lyres -- has got to be the best one out there. ~ Richie Unterberger, All Music Guide 1. Left in the Dark - Vertebrats 2. Can't Stand the Pain - DMZ 3. There She Goes Again - The Crawdaddys 4. This Ain't My Time - The Barracudas 5. I'm Not There - Plan 9 6. Run from Home - The Unclaimed 7. Melvin - Pandoras 8. Spooky - Gravidigger V 9. It's Not Me - Tell-Tale Hearts 10. One Step Closer to You - Miracle Workers 11. Why Don't You Love Me - Time Beings 12. Greem Slime - Fuzztones 13. I'll Make You Sorry - Odds 14. Nothing's from Today - The Vipers 15. Waste of Time - Cynics 16. Are You Gonna Be There? - Chesterfield Kings 17. Dr. Syn - Stomachmouths 18. Bye Bye Baby - Wombats 19. Teenage Lima Bean - Laughing Soup Dish 20. Midnight Hour - Hypstarz 21. Fun in the Summer - Surf Trio 22. She Only Knows - Eyes Of Mind 23. Can't Get Enough - The Things 24. Psychedelic Boy - Leopards 25. Living So Dead - Steppes 26. She's Our Girl - Event 27. Be a Caveman - The Dwarves ************************************************************************************ http://img466.imageshack.us/img466/8913/destinationbompfront3so.jpg Destination Bomp - Best Of Bomp Records (1977-94) (2-CD) Released to coincide with Bomp Records' 20th anniversary, Destination Bomp is a two-disc, 48 track aural manifesto from the Los Angeles label, that surveys two decades of underground releases. Music journalist Greg Shaw formed Bomp in 1974 as a platform for rock acts residing below the major label radar. The result was nothing short of a rallying cry from a thousand garages, bedrooms and basements; an euphoric burst of '50s rock, '60s psychedelia, '70s punk and (eventually) '80s college fare that Shaw branded "power-pop". Destination Bomp begins in 1974 with the label's premier release, the sublime pop breeze of the Flamin' Groovies "You Tore Me Down," proceeding on a tour of primal surf, decimated blues, gleeful pop and shimmying punk that concludes in 1992. That year the label released "She Made Me," the debut single from the Brian Jonestown Massacre. Capping off the set is its B-side, "Evergreen," a slice of shoe-gazing drift, sprinkled with psychedelic tape loops. Though they flirted with greater success in the early '80s with a pair of minor hits (Plimsouls' "A Million Miles Away" and Josie Cotton's "Johnny, Are You Queer?"), the bulk of the label's vast roster consisted of rock & roll footnotes. Even cult idols like Iggy Pop and Jonathan Richmond didn't exactly chalk up large sales figures. Still, in a perfect world, you'd surely find songs like Nikki & The Corvettes' "Just What I Needed," Things' "Everytime" and Barracudas' "Surfers Are Back," gracing the Billboard charts. Destination Bomp is an excellent compilation for fans of Nuggets-style garage anthems. 1 You Tore Me Down Flamin' Groovies 2:47 2 Love of the Loved Poppees 1:47 3 Jingle, Jangle Rockfield Chorale 2:48 4 I.R.T. Snatch 2:07 5 Busy Man DMZ 3:20 6 I Got a Right Iggy & The Stooges 3:24 7 Don't Push Me Around Zeros 2:24 8 Life of Crime Weirdos 2:19 9 Okay Shoes 2:16 10 Giving It All Twenty Twenty 2:47 11 You're for Me Singles 3:34 12 Running Away Romantics 3:00 13 Walking Out on Love Paul Collins, Breakaways 1:36 14 Just What I Need Nikki & The Corvettes 2:45 15 Little G.T.O. Rodney & The Brunettes 2:47 16 She Don't Know Why I'm Here Last 3:25 17 I Can Never Tell Crawdaddys 2:43 18 The Last Year Stiv Bators 3:00 19 Hindu Gods of Love Lipstick Killers 3:23 20 Left in the Dark Vertebrats 3:23 21 She Cracked Modern Lovers 2:54 22 Pull My Train [#] Unknowns 2:26 23 A Million Miles Away Plimsouls 3:31 24 Johnny, Are You Queer? Josie Cotton 2:39 25 Frogs Toy Love 4:45 26 Surfers Are Back Barracudas 2:13 27 Rumble at Waikki Jon & The Nightriders 2:31 28 Intro '66 Zebra Stripes :55 29 She's Not Mine Mystery Machine 2:54 30 Hot Generation Pandoras 2:15 31 It's Just a Matter of Time Tell Tale Hearts 3:04 32 Stoneage Stomp Gravedigger V 2:54 33 Already Gone Miracle Workers 3:09 34 Can't You Do Anything Right? Lazy Cowgirls 3:12 35 Lick It Dwarves 1:23 36 HOD Distorted Pony 2:22 37 Everytime Things 4:24 38 With You Again Eyes Of Mind 3:51 39 Tourists from Timenotyet Steppes 5:55 40 Arnold Layne SS-20 2:35 41 Walking in the Rain Green Pajamas 3:18 42 Love Is Blue Hangman's Beautiful ... 3:37 43 The Singer Not the Song Patti Palladin 2:14 44 Honey Spacemen Three 3:00 45 Salvation Sacred Miracle Cave 6:40 46 How Bread Is Made Head 1:46 47 Fantasy of Folk Blair One Five Two Three 3:04 48 Evergreen Brian Jonestown Massacre 4:53 ************************************************************************************ http://img453.imageshack.us/img453/1874/dmzfront1if.jpg DMZ - When I Get Off (US Garage 1976-77) Before Jeff "Monoman" Connolly formed Boston's seminal garage rock terrorists the Lyres, he was in a late-'70s prototype known as DMZ. With the exception of a few musicians, DMZ and the Lyres were essentially same-sounding bands; DMZ just played with a little more speed and punk verve. Oddly enough, during the late-'70s signing frenzy of any band even remotely associated with the punk scenes in Boston and New York City, DMZ got a shot with Sire Records. The label, exhibiting near-total artistic myopia, teamed the band up with goofball has-beens Flo and Eddie as producers. While the resulting record was panned, it's far from a disaster, due mainly to DMZ's ferocity and trashy ebullience. Fans of mid-'60s rock such as the Seeds, ? and the Mysterians, and the Kinks, and who have an unending jones for speedy trash-rock and whiny Farfisa organs, will love DMZ. 01 Busy Man Connolly 02 Can't Stand the Pain D M Z 03 You're Gonna Miss Me Erickson 04 When I Get Off Connolly 05 Do Not Enter Connolly 06 Guilty Child Connolly 07 Shirt Loop Connolly 08 Lift up Your Hood Connolly 09 Barracuda Cobb 10 Comin' After Me D M Z 11 Bloody Englishmen Connolly 12 First Time Connolly 13 Oedipus Show Connolly 14 Rosalyn D M Z 15 Might He I.D. Connolly 16 From Home D M Z 17 Are You Gonna Be There D M Z 18 Pretty Girl Connolly ************************************************************************************ http://img470.imageshack.us/img470/7389/laughingskyfront3xn.jpg Laughing Sky - Free Inside (Psychdelic Garagerock 1996) If '60s garage-psych revivalism will never entirely die, for better or worse, then it's a good thing that there are bands like Laughing Sky around to do the spirit proud. If nowhere near as freaked-out and frazzled, or honestly creative, as bands like Spacemen 3 or Loop, the trio on Free Inside has itself a good and freaky time. The end result comes close to something like the American equivalent of the Damned's Naz Nomad and the Nightmares guise, or XTC's tripping out as the Dukes of Stratosphear. In a nice enough touch, the recording quality is much more full-sounding than simple recreation, suggesting what a lot of groups of the time were maybe trying for but couldn't quite achieve. It's not glossy mainstream overkill or anything, merely rich sonic detail designed for a different age and different ears ? check out the instrumental breaks on "Arms of the Sun" or the chiming introduction of the title track for proof. Songs like the merrily spooked-out trip of "The Slip," all phased guitar solos and smoky rhythm trance and just-stoned-enough vocal chants and more, capture the spirit of things just right. There are covers both well-known (a reasonable enough "Tomorrow Never Knows," a mighty fine "Lucifer Sam") and obscure ("Here We Come" by Alvin Alvey and the Green Fuz, benefiting from some great walls of guitar noise). Perhaps more than once things veer towards the generically hard rock instead of the truly tripped out ? the very beginning of "The Future of Love" almost sounds like it's about to break into some lousy early-'70s nonsense ? but for the most part, this merry trio knows how to have a good time looking back on some crazy days. 1. 3:03 Here We Come 2. 6:54 The Slip 3. 4:50 Arms Of The Sun 4. 4:08 Eyes In The Sky 5. 3:46 The Future Of Love 6. 3:02 Lucifer Sam 7. 3:38 Take It 8. 4:47 Free Inside 9. 3:56 De Empty 10.4:58 Tomorrow Never Knows ************************************************************************************ http://img464.imageshack.us/img464/8272/newracefront7ak.jpg New Race - The First And The Last (1981) (Radio Birdman, MC5 & Stooges Members) An interesting one-time-only band, New Race was proof that good music can occur when "teachers" and "students" get together. In this instance, the "teachers" were ex-Stooges guitarist Ron Asheton and ex-MC5 drummer Dennis Thompson, who joined forces with "students" Deniz Tek, Rob Younger, and Warwick Gilbert, the latter three members of the seminal Australian punk band Radio Birdman. Tek was a Michigan native who'd emigrated to Australia in the early '70s, bringing his love of high-energy Detroit proto-punk with him. After Birdman's demise, he contacted Asheton and Thompson to come to Australia and form this ad-hoc touring outfit. New Race toured Australia once in 1981, playing mostly small halls and releasing one legit live LP and a few lo-fi bootlegs. While the resulting record, The First and the Last, benefits from a significant amount of in-studio sweetening (backing vocals are added, guitar solos overdubbed), it's still an exciting, guitar-fueled rave-up. Fans of the early-'70s Motor City sound or early Aussie punk wouldn't want to be without it This album earned credibility for documenting a unique, one-off event. In 1981, ex-Radio Birdman bassist Warwick Gilbert, guitarist Deniz Tek, and vocalist Rob Younger saluted their influences by joining the Stooges' lead guitarist Ron Asheton and MC5 drummer Dennis Thompson for a six-week blitzkrieg of Australia. The notion made sense, since Radio Birdman had been acclaimed on their Australian home turf, yet relegated to cult fodder elsewhere, while he $MC5 and the Stooges had never been commercial propositions, either. Still, once listeners pass the "punk summit" angle used in promoting the album, they'll find the fruits of this alliance impressive enough to warrant further exploration. Not surprisingly, there's strangled, slash-and-burn guitar playing aplenty on burners like "November 22, 1963," a conspiratorial recall of President John F. Kennedy's assassination. This track, by Asheton's major post-Stooges outlet, Destroy All Monsters, would undoubtedly win filmmaker Oliver Stone's approval. Tek's "Descent Into the Maelstrom" and "Haunted Road" open similar forays into the fretboard jungle, while the Gilbert-Thompson axis never lets up, especially on the drummer's MC5 standard, "Gotta Keep Movin'." As these choices show, the set draws evenly from across the board, with "Looking at You" and an understated "Loose" nodding again, respectively, to the MC5 and the Stooges. Tek's moodier songs, "Breaks My Heart" and "Sad TV," inject variety into the proceedings, while time constraints only permitted one new song to emerge: "Columbia," whose propulsive riff and atypical space travel theme closes the album on a powerful, decisive note. Strategically overdubbed backing vocals and guitar on three songs, as well as piano on "Descent Into the Maelstrom," does nothing to blunt this album's appeal, which offers historical value from a one-off event that never occurred again. Tek's terse yet engaging liner notes aptly sum up the exercise: "Humor beats bitterness every time." It's hard to disagree when the evidence is this powerful. 01 Crying Sun Gilbert, Tek 3:02 02 Haunted Road Tek 3:48 03 Gotta Keep Movin' Thompson 3:18 04 Breaks My Heart Tek 3:10 05 Sad TV Tek 4:08 06 Loose Asheton, Pop 3:09 07 November 22, 1963 Asheton, Niagra 5:20 08 Love Kills Tek 3:51 09 Alone in the Endzone Tek 2:09 10 Looking at You Davis, Kramer, Smith, Thompson ... 7:03 11 Columbia Asheton, Gilbert, Tek ... 4:56 ************************************************************************************ http://img470.imageshack.us/img470/3770/rosettawestfront1un.jpg Rosetta West - X Descedant (US Savage And Psychedelic Blues) ROSETTA WEST hails from the Mid-West, and plays true raw psychedelic blues; the sound is basic, crude and savage, almost gothic in its grandeur, and echoes the likes of JAMES BLOOD ULMER, and CAPTAIN BEEFHEART, alternating grungy blues tunes and acoustic numbers to create a landscape of voodoo nightmares, whiskey-fueled raves, and fever-stricken deathbed laments. Starting in 1996, the band has already released a series of self-produced recordings praised by critics, DJs and musicians around the world, including the likes of THURSTON MOORE, PHIL MILSTEIN and BYRON COLEY. After a two year break, ROSETTA WEST is back, always under the guidance of guitarist/singer JOSEPH DEMAGORE, with JAY DANIELS on bass, MIKE WEAVER on drums ... and the infamous NATHAN Q. SCRATCH. Alive records is proud to bring you 'X Descendant', a unique album of acoustic and electric down and dirty blues-swamp-rock. "X Descendant" is a 9-song witch's brew of distilled booze, swamp sweat, Mississippi mud, bayou Blues, and barroom Psychedelia. I'll just call it "blooze", and let Rosetta West speak for themselves in all of their gritty, voodoo-laced splendor. Influences seem to range from John Lee Hooker and Creedence Clearwater Revival to early ZZ Top and even The Black Keys. The sound is stark, rural, and abundantly mannish, yet with a purgatorial, somewhat melancholy feel to it. X Descendant should be played as midnight fades into the shadows and the full moon rises low. Bring your own jug, and beware the hound dogs howlin' in the distance. 01 - Blue Honey - 3.24 02 - Slow Train - 3.53 03 - The Flag - 3.44 04 - Vampire Song - 2.30 05 - Shakin´ All Over - 4.34 06 - Children - 3.34 07 - Shine - 3.05 08 - Deeper Than Magic - 6.01 09 - Return To Inferno - 4.42 ************************************************************************************ http://img470.imageshack.us/img470/8124/soundofsffront2aq.jpg Various Artists - The Sound of San Francisco (US Garage Groups 2004) Another year, another scene, another resetting of the rock/soul/garage/R&B clock to year zero, and let's see what happens. So if every generation gets the Cramps or the White Stripes or whatever it deserves, then there are all the other bands along the same lines ? or else vaguely fellow travelers ? out there as well. Thus Alive Records' boss, Patrick Boissel, finding a whole crop of folks to record up in San Francisco circa 2003 presents his new generation of finds here. To be fair, the bands here aren't all trying to be Meg and Jack White, by any stretch of the imagination, and unlike any number of garage fetishists of recent years, just about all the groups are fine with sounding downright radio friendly in a big, expansive way. Maybe in an early-'80s, new wave sense, possibly the secret to what's here ? if New York has gone no wave again, then the Bay Area seems open to the idea of revamping skinny-tie sounds of a different sort, and songs like Mon Frere's "Hello" are most of the way there already. The female vocalist for Boyskout, on "Secrets" and "School of Etiquette" sounds like she could be a cousin of Romeo Void, for instance, while the soulful turn of the singer on Big Midnight is a welcome touch in context. They're actually, generally, a better listen than a slew of the male singers, frankly, who tend to have a strained, hiccupy approach, or else are too dedicated to calling attention to themselves instead of to their respective bands. Musically, a fair amount of the members could probably switch off without much of a hitch, but there are definite moments of individual flair : the compressed snarl of the Coachwhips' "The Alarm"; the dark, swaggering shuffle of the Hotwire Titans' "Thieves and Fakes"; the Low Flying Owls' moody art/psych/goth "Thieves for Hire." Like all samplers, it's a mix of promise and timekilling, but some folks may yet go on to something more. 1 Beauty of the Bitch Nagg 2:15 2 The Alarm Coachwhips 1:21 3 Secrets Boyskout 2:23 4 Lost in the Music Black Cat Music 3:30 5 Thieves and Fakes Hotwire Titans 2:41 6 Bushmills Aktion 2:27 7 Thieves for Hire Low Flying Owls 6:17 8 Push on You Big Midnight 4:26 9 Sister Temptation Holy Kiss 3:25 10 Fail Hard to Regain Gallants 3:31 11 Cryin' Shame Flakes 2:44 12 Hello Mon Frere 2:40 13 Va Va Voom Low Flying Owls 2:48 14 School of Etiquette Boyskout 2:40 15 Sniff Nagg 2:15 16 Lucky 7 Young Trade 2:38 17 While You Was Away Aktion 2:43 ************************************************************************************ http://img472.imageshack.us/img472/6897/stivbatorsfront0ai.jpg Stiv Bators - Disconnected [Expanded] (US Rock Pre. Dead Boys) (1980) As the frontman for the Dead Boys, Stiv Bators terrorized audiences with his snotty, in-your-face punk rock style. But after the Dead Boys, Bators embarked on a musical journey that saw him touch upon new wave (the Wanderers), goth rock (the Lords of the New Church), and power pop (during a brief solo career), as well as a fling with movie acting. Born Steve Bator on October 22, 1949, in Youngstown, OH, Bators took a liking to garage rock and proto-punk early on ? a story he liked to tell is that it was he who handed Iggy Pop the jar of peanut butter that he smeared across his chest and threw around while walking on the audience during the Stooges' televised infamous 1970 rock festival in Ohio (additionally, Bators befriended the Ramones during the quartet's first Ohio performance). As a result of his interest in the burgeoning punk movement, Bators hooked up with friend/guitarist Cheetah Chrome and others to form the short-lived local outfit Frankenstein. Sensing that there was little chance of launching a successful music career in Ohio, Bators convinced a handful of fellow local musicians (Chrome, guitarist Jimmy Zero, and drummer Johnny Blitz) to relocate to New York City in 1976, resulting in the formation of the Dead Boys. The ploy worked, as the Dead Boys not only became an instant part of the CBGB's punk scene, but they also enlisted the club's owner, Hilly Kristal, as their manager, and signed a record deal with Sire. By specializing in a heavily Iggy Pop-influenced live show (which included Bators flailing himself around until he was battered and bloody, and faux-hanging himself on stage), the group built a buzz, which only intensified after the release of its 1977 debut, Young Loud & Snotty. Despite a promising start, the group would quickly disintegrate ? issuing only one more album that failed to replicate the debut's fire, 1978's We Have Come for Your Children, before splitting up. In the wake of the Dead Boys' split, Bators decided to try shedding his wild man image by reinventing himself as a new waver, as he demoed power pop material and issued several singles via the Bomp! label (later collected on the 1994 L.A., L.A. compilation). In 1980 his full-length solo debut, Disconnected, was released; it saw Bators mix his new power pop direction with his punk roots. But rather than fully embark on a solo career, Bators opted to return back to a band, as he formed the Wanderers with ex-Sham 69 members Dave Parsons (guitar), Dave Tregunna (bass), and Rick Goldstein (drums). The group issued only one album, the schizoid concept album Only Lovers Left Alive, which forsake its members' punk past in favor of a sterile production and ambitious futuristic storyline. With punk fans still scratching their heads as to the career path Bators had embarked on since his Dead Boys days, the singer decided to give acting at try, with a bit part in the hilarious 1981 John Waters-directed movie, Polyester. A union with ex-Damned guitarist Brian James followed soon after, resulting in the formation of the Lords of the New Church. And once more, the group didn't sound like what you'd expect from a pair of punk veterans, as they specialized in goth rock (reminiscent of Bauhaus). Unlike his other post-Dead Boys musical projects, the Lords lasted longer, as they issued a trio of albums during the early '80s ? 1982's The Lords of the New Church, 1983's Is Nothing Sacred?, and 1984's The Method to Our Madness ? before Bators exited (an infamous story involves Bators finding out about his impending firing via an ad in a music paper advertising for a vocal vacancy in the band ? for his last performance with the group, he wore a shirt with the ad replicated on it). The late '80s saw Bators briefly work with ex-Hanoi Rocks singer Michael Monroe, appear in another movie, 1988's Tapeheads, and the Sun City music video, plus sporadic reunion gigs with the Dead Boys. Having relocated to Paris, France, little was heard from Bators subsequently, although it became known in later years that he attempted to form a punk rock supergroup featuring ex-New York Dolls guitarist Johnny Thunders and ex-Ramones bassist Dee Dee Ramone. But besides a few rehearsals, nothing ever came of the union. Shortly thereafter, Bators died on June 4, 1990, from injuries sustained after being hit by a car. 1 Evil Boy Secich, Zero 3:17 2 Bad Luck Charm Cabaniss, Quinton 2:54 3 A Million Miles Away Secich 3:45 4 Make Up Your Mind Quinton 2:19 5 Swingin' a Go-Go Cabaniss 2:24 6 Too Much to Dream Last Night Mantz, Tucker 2:47 7 Ready Any Time Bators, Secich 2:56 8 The Last Year Bators, Secich 2:46 9 I Wanna Forget You (Just the Way You Are) Bators, Secich 3:47 10 Evil Boy [alternate take/*] Secich, Zero 3:16 11 Swingin' a Go-Go [alternate take/*] Cabaniss 2:24 12 Crime in the Streets [*/instrumental] Cabaniss, Quinton, Secich 3:55 13 Little Girl [live/*] 2:37 14 Junebug Skillet (Barbecued Yardbird) ************************************************************************************ http://img472.imageshack.us/img472/7207/themasterplanfront3ve.jpg The Masterplan - Colossus Of Destiny (w. Andy Shernoff - The Dictators) Not to be confused with the German death metal supergroup Masterplan, the Master Plan is a garage rock powerhouse headed by two of the leading lights of the old-school, New York garage scene, Andy Shernoff of the Dictators and Keith Streng of the Fleshtones. Fans of those two bands already have an excellent idea of what Colossus of Destiny sounds like: stripped-down, no-frills rock & roll is the order of the day, but without the Dictators' occasional feints toward heavy metal and the soul fixation of the Fleshtones. (The Original Sins and early-'70s Flamin' Groovies are good touchstones, as well, for true aficionados of the style.) The rockabilly-tinged "Kickin' It Old School" is the most aptly titled tune, especially considering that '50s R&B classics like the Cadets' "I Got Loaded" and Hank Ballard's "Annie Had a Baby" are among the pop-rocking originals, sounding like they might have if a British Invasion-era quartet had added them to their set lists. This album is nothing but fun, with no pretensions toward anything more. 1 What's Up With That? Shernoff 2:45 2 Better Get Better Johnson, Shernoff, Streng 3:52 3 Dead Horse Streng 3:11 4 You're Mine Johnson 2:41 5 I Got Loaded Harris 3:07 6 Find Something Beautiful Roter, Shernoff 2:47 7 Just Because Price 3:23 8 Annie Had a Baby Henry 2:39 9 Loves You Johnson 2:56 10 Picketts Charge Streng 2:08 11 Kickin' It Old School Shernoff 3:00 12 Broken Arrow Anderson 2:18 13 Walking Darroch 3:24 ************************************************************************************

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scr (2006-02-01)

Greeeat! 9 very fine albums, though the older one's was the one's I WANTED. Thanx a lot

michalis_gr (2006-03-11)

Bravo very very good !!!

darby_crash (2006-04-15)

ill take the stiv... thanks! :D

matereo (2006-08-13)

People like you are the true culture workers of today! cheers!

kb (2006-10-17)

Hey man, if you don't mind me asking are you getting all this shit from record stores or what?

Adoddode (2006-11-21)

kb.. who cares its at least Fucking Good MUSIC!!! Keep on Rockin in the Free world m8!
/Adde

katramis (2007-01-10)

Fantastic work!!
Thanks a lot man

kanit (2007-06-03)

Wonderful ChrisGoes, thanx a lot for this! Do you have by any chance other similar torrents uploaded?

Gucumatz (2007-06-09)

Who cares? I have 'em all on vinyl and cd ^_^

ChrisGoes (2007-06-15)

More at: http://chrisgoesrocks.blogspot.com
//ChrisGoesRock

jbear33 (2007-12-08)

thank you

a1clay (2008-01-26)

excellent music my friend thank very much!

briker2 (2008-02-28)

nice up , any prisoners

redstarjedi (2008-03-08)

THANK YOU THANK YOU THANK YOU!
just one little problem.
it seems that i cant play half the mp3's from the new race album. and none of the masterplan stuff!
mindows media player 11, and creative media source 5 just loads the file.... blank screen.... no music? i've reched the torrent a few times. caught that some files havent downloaded properly. should i just give it another download?

redstarjedi (2008-03-08)

umm. ok for some reason nero showtime will play the tracks that dont work in the new race album..... but then again it seems to play the wrong track. i try track 8 that isnt workign and it'll play track one instead?

UAK (2008-08-08)

Great torrent! Specialy the bomp! collection, thanks a lot!

Andy_von_Rampage (2009-01-13)

Some "Really Cool!" really Old Stuff You've put together in this little packet!! "Nicely done!" 'looking forward to Sloooly picking this little bugger apart! THX alot then mate!

ChrisGoes (2013-05-16)

Hi all. my torrent is still alive, 8 years now :-)
//ChrisGoesRock