Chantal Akerman - Jeanne Dielman (1976)

In the unnerving silence of a sparsely furnished kitchen in Brussels, a poised, anonymous middle-aged woman (Delphine Seyrig) - identified only through the title of the film as Jeanne Dielman - completes her food preparation, places the contents into a large cooking pot on the stove, reaches for a match, lights the burner, and with chronological precision, finishes replacing the matchbox from its original location as the doorbell rings, switching the lights off as she leaves the room. The scene then cuts to an unusually framed shot of a truncated Jeanne at the entrance of the apartment as she accepts a hat and coat from an unidentified guest (Henri Storck) before retreating, out of view, into a bedroom at the end of the hallway. Moments later, the obscured image is reconnected to a familiar referential framing of the darkened hallway as the unknown guest re-emerges from the room and prepares to leave, handing Jeanne a pre-arranged sum of money before confirming their next appointment for the following week. She deposits the money in a soup tureen in the dining room, then returns to the kitchen to attend to the boiling pot, before tidying the bedroom and meticulously bathing and changing clothes after the encounter. And so Jeanne's monotonous daily ritual unfolds through the tedium of household chores, impersonal sexual transactions, trivial errands, and alienated conversations with her son, Sylvain (Jan Decorte), revealing the silent anguish of disconnection and systematic erosion of the human soul. Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles is a visually rigorous, uncompromising, and understatedly harrowing portrait of alienation, repression, and marginalization. Using primarily long take, medium shots from the repeated perspective of a stationary camera, Chantal Akerman creates an innately disquieting atmosphere of stasis and monotony. From the opening image of Jeanne facing away from the camera, to her visually decapitated shot as she politely receives clients by the entrance hallway of the apartment, Akerman uses extended, isolated framing that inhibits personal identification of the title character and reinforces a pervasive sense of unconscious, mechanical activity. The repeated filmic cued scene transitions associated with the actuation of light switches throughout the apartment further underscore the fragmented nature and dehumanized automation of her domestic tasks. By presenting the controlled and deliberate gestures inherent in Jeanne's ritualistic actions that betray an implicit violence beneath the veneer of structure and order - as she bathes (note the similar imagery of cleansing in Michael Haneke's The Seventh Continent), knits, shines shoes (a familiar episode from Akerman's short film, Saute ma ville), and peels potatoes - the film provocatively captures the unarticulated tragedy of estrangement, loneliness, and disconnection. © Acquarello 2002. All rights reserved. http://www.filmref.com/directors/dirpages/akerman.html -=- File info -=- File Size (in bytes): 1,939,691,846 --- Container Information --- Base Type (e.g "AVI"): AVI(.AVI) Subtype (e.g "OpenDML"): Multipart OpenDML AVI, Interleave (in ms): 40 Preload (in ms): Audio alignment("split across interleaves"): Split Total System Bitrate (kbps): 0 Bytes Missing (if any): Number of Audio Streams: 1 --- Video Information --- Video Codec Type(e.g. "DIV3"): xvid Video Codec Name(e.g. "DivX 3, Low-Motion"): XviD Duration (hh:mm:ss): 03:13:10 Frame Count: 289750 Frame Width (pixels): 624 Frame Height (pixels): 384 Frame Aspect Ratio (e.g "1.3333"): Frame Aspect Ratio (e.g. "4:3"): Pixel Aspect Ratio ("SAR"): Display Aspect Ratio ("DAR"): 1.625 Frames Per Second: 25 Video Bitrate (kbps): 1074 MPEG-4 ("MPEG-4" or ""): MPEG-4 --- Audio Information --- MPEG Stream ID (e.g. "0xbd"): MPEG VOB file Substream(e.g. "0x80"): Audio Codec (e.g. "AC3"): 0x0055(MP3, ISO) MPEG-1 Layer 3 Audio Sample Rate (Hz): 48000 Audio Bitrate(kbps): 256 Audio Bitrate Type ("CBR" or "VBR"): CBR Audio Channel Count (e.g. "2" for stereo): 2 Original rip taken from Usenet -=- shout-out -=- ************************* FREAKYFLICKS ************************** Freakyflicks is a free and open community dedicated to preserving and sharing cinematic art in the digital era. Our goal is to disseminate such works of art to the widest audience possible through the channels provided by P2P technology. The Freakyflicks collection is limited to those films that have played an exceptional role in the history of cinema and its progression in becoming a great art. Films that are usually described as classic, cult, arthouse and avant-garde. If you have films that fit this description feel free to share them and participate in our community. All you need do is include this tag in your upload and join us at the forum to announce your release. www.freakyflicks.tk 'If we all seed just 1:1, give at least what we take, this torrent will NEVER DIE'

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Shenmue_GdA (2007-07-20)

Thanks a lot!

raheesen (2008-09-28)

excellent quality...good movie...thanks.

retirer (2008-12-04)

Big kudos to you clownmonkey - and thanks.
For this one (and the others!)
Greatly appreciated

canapple (2009-11-06)

thank you