Karim Traidia - De Poolse Bruid AKA The Polish Bride

Karim Traidia - De Poolse Bruid AKA The Polish Bride (1998) http://www.imdb.com/title/tt0142772 http://img147.imageshack.us/img147/3606/depoolsebruidfilmaffir2.jpg A young Polish woman (Hendrickx) on the run from a life as a prostitute winds up in a small town in Northern Holland. When a kindly farmer (Spijkers) finds her bruised and battered he gives her a roof over her head. Their relationship blossoms but is threatened by imminent foreclosure on the farm and by the girl's past catching up with her. Stylish and intriguing. This movie is a real character movie. Almost the entire movie focuses purely on just the two main characters. The characters don't explain anything to each other about how and what. They just accept things as they are and don't look back, even though the both of them, as implied, had issues in the past. They are definitely not at love at first but they also most certainly don't hate each other. They slowly and steadily grow- and open up toward each other and also learn from each other, in many different ways. It doesn't make this movie 'just' another unusual love-story but something that goes deeper and therefor also gets more effectively shown on the screen. The movie gives a good portrayal of the farm life and the empty flat real peaceful nature. The developement of the relation between Anna and Henk is unusual, that's also the reason why the movie is interesting and -in a special way- exciting. Especially the non-dialogues between them, with different reasons for each person. Henk is introvert* and doesn't speak Polish, Anna simply doesn't speak Dutch. But from the beginning of the movie I sensed some kind of love and care from Henk to Anna, and vice-versa. It's touchy to see their 'love & tenderness' growing. Very 'romantic', for those who want to see it! * : People not familiar with the region overemphasize the introversy: Being sparing in words is a charateristic of it's inhabitants. The fascinating elements of this film are all the things that are left unexplained, the way we have to guess, interpret and imagine what's going on behind the events and gestures and expressions we witness. But probably too much is left unsaid. And not just the fact that Anna's employers are underworld figures despite the legality of prostitution in Holland. If Anna is afraid of intimacy with Henk because of having been raped, she doesn't show it, or the movie doesn't let her show it. Her emotional state seems to heal faster than the wound over her eye, and she becomes so comfortable with Henk so quickly, that it's his sexual abstinence that has us more puzzled.One of the effective and priceless scenes is the meal in which a mother-like Anna officiously schools Henk in her etiquette of eating and praying and Henk nearly erupts in rage and frustration, unable to understand why he is allowing her of all people to treat him as if he were a child, but in a kind of curiosity and amazement, let's her go on. It's in such little ways that we're given to glimpse Henk's unspoken feelings for Anna. --- "love this movie, but for slightly different reasons than mentioned here. I'm from the Netherlands, and I grew up in a village in the eastern part of Friesland, which is very similar to the countryside of Groningen.Halfway during the movie I noticed there were tears in my eyes. Oddly enough, it wasn't during an emotional scene between the main characters. It was a shot of the countryside of Groningen. The scenery wasn't extraordinarily beautiful or anything. Yet somehow, it had managed to perfectly capture the feeling the Dutch countryside gives me whenever I'm visiting my parents.And then I realized it wasn't just the scenery, it also was the slow pace of the movie, the lack of dialogue between the two main characters, or the lack of much happening at all during most of the movie. The solitude of the farmer's life, the gentle moments between the main characters, the two of them being all alone in their own little world. That one of the characters was a Polish woman on the run from pimps is just a McGuffin, this movie really isn't about that. It's about the feeling of living on the north-eastern Dutch countryside. If cinematography feels a little odd now and then, it's because it's completely focused on capturing the feeling of being on a Dutch farm, the story and it's characters being less important.People are remembered. Exciting events are remembered. What movie is about remembering the feeling of living at a certain place at a certain time? OK, and what if we're not talking about someone's memories of growing up? Yeah, those kind of movies are rare, aren't they? This movie is one of them, and one of the best.When people are going to watch this movie in a couple of decades, if they're still capable of investing themselves into a slow paced, technically inferior movie with an unexciting storyline compared to whatever they'll be used to by then, they're going to experience what it's like to live the the sobering, lonely yet somehow also magical and sometimes beautiful life of a Dutch farmer and his Polish bride." http://img147.imageshack.us/img147/917/depoolsebruid2wl1.png http://img686.imageshack.us/img686/4820/vlcsnap398852.png http://img30.imageshack.us/img30/9527/vlcsnap399640.png http://img14.imageshack.us/img14/2681/vlcsnap422106.png ------not my rip-------- [ISFT] VirtualDubMod 1.5.4.1 (build 2178/release) [IAS1] ??? [JUNK] VirtualDubMod build 2178/release [USER] XviD0047 File Length Correct OpenDML (AVI v2.0) Interleave: 1 vid frame (40 ms), preload=504 Audio frames: Aligned on interleaves Video: 625 MB (89.31%) Audio: 66.9 MB (9.57%) AVI Overhead: 7.84 MB (1.12) length 1:25:36 kbpd 1021 FPS 25 Qf 0.126 ******************************** Freakyflicks is a free and open community dedicated to preserving and sharing cinematic art in the digital era. Our goal is to disseminate such works of art to the widest audience possible through the channels provided by P2P technology. The Freakyflicks collection is limited to those films that have played an exceptional role in the history of cinema and its progression in becoming a great art. Films that are usually described as classic, cult, arthouse and avant-garde. If you have films that fit this description feel free to share them and participate in our community. All you need do is include this tag in your upload and join us at the forum to announce your release. https://board.freakyflicks.org/index.php 'If we all seed just 1:1, give at least what we take, this torrent will NEVER DIE'

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