The Busby Berkeley Disc - velvetfog

http://www.imdb.com/name/nm0000923/ Busby Berkeley was one of the greatest choreographers in the US movie musical. He started his career in the US Army in 1918, as a lieutenant in the artillery conducting and directing parades. After the cease fire he was ordered to stage camp shows for the soldiers. Back in the US he became stage actor and assistant director in smaller acting troops. After being forced to take over the direction of the musical "Holka-Polka" he discovered his talent for staging extravagant dance routines, and he beamed as one of the top Broadway dance directors. Producer Florenz Ziegfeld Jr. called him to direct the dance routines for his production "A Connecticut Yankee on King Arthur's Court". Eddie Cantor, who starred in the long running Ziegfeld production "Whoopee!" suggested Berkley create the dance routines in the film version, and Ziegfeld agreed. At first in Hollywood, he wasn't satisfied with the possibilities of his job - at the time, dance directors trained the dancers and staged the dances. The director chose the position for the cameras and the editor chose which of the takes were shown to the audience. Berkeley wanted to direct the dances himself and convinced the producer Samuel Goldwyn to let him try. One of the first chances he took was that he used only one camera in his films. He also showed close-ups of the chorus girls. Asked about this he explained: "Well, we've got all the beautiful girls in the picture, why not let the public see them?" With the decline of musicals in 1931 and 1932, he was thinking of returning to Broadway, when Darryl F. Zanuck, chief producer at Warner Brothers called him in to direct the musicals numbers of their newest project, the backstage drama 42nd Street (1933). Berkeley accepted and directed great numbers like "Shuffle Off To Buffalo", "Young and Healthy" and the grandiose story of urban life, the finale "42nd Street". The film was a smash hit, and Warner Brothers knew who made it such an extraordinary success: Berkeley, as well as the composer Harry Warren and the lyricist Al Dubin got seven year contracts. Berkeley created musical numbers for almost every great musical that Warner Brothers produced from 1933 to 1937. His overhead shots forced him to drill holes in the studio roofs, and he used more dancers with each succeeding picture. But with the second declining of the musical picture in 1938, he had nothing to do as a choreographer. He directed two non-musical pictures for Warner Brothers, then he went to MGM, where he choreographed the final number from Broadway Serenade (1939) with Jeanette MacDonald. As a director and choreographer, he worked on four pictures with the teenage stars Judy Garland and Mickey Rooney. He also choreographed the Fascinatin' Rhythm finale for MGM's reigning tapping star, Eleanor Powell in Lady Be Good (1941). He directed Gene Kelly in his first picture, in For Me and My Gal (1942). Kelly, who choreographed his own numbers, learned a lot from Berkeley. He worked for 20th Century-Fox in The Gang's All Here (1939) with its surrealistic number "The Lady in the Tutti-Frutti Hat". At the end of the 40s he directed his last picture, Take Me Out to the Ball Game (1949), but this time the choreography was direct by Gene Kelly. He did a few numbers in the early 50s, but by the end of the decade, he was all but forgotten. A revival of his films in the late 60s brought him some popularity and he was asked to return to Broadway and supervise the dance direction in the revival a Vincent Youmans musical comedy from 1925. One of the actresses in this production was Ruby Keeler, one of his leading ladies in Warner musicals. When the production went on tour in 1972, one of the road cast was Eleanor Powell. The production was a smash hit. When he walked on stage after on opening night, the house exploded with applause. A strange fact is that Busby Berkeley never had a dancing lesson, and in his early days, he was very afraid of people finding out. He often drove his producers almost crazy when he gave orders to build a set and then sat in front of it for a few days, thinking up the numbers.

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 velvetfog (2007-12-14)

Running Time: 2:43:02
Interleaved: Yes
AUDIO: 0 - MP3 (0x55)
Average Bitrate Per Sec: 57 kb/s
Samples Rate: 48000 Hz
VIDEO: XVID
B-VOP: Yes
S(GMC)-VOP: No
QuarterPixel: No
Frame Size: 512 x 384
Frames Rate: 23.976
Color Depth: 12
Total Frames: 234547

 velvetfog (2007-12-15)

It contains clips from many of Berkeley's films. Sorry, but I don't have a list.
The movie is 163 min. long. It covers Berkeley's career quite comprehensively.

contir (2007-12-16)

This is an awesome and delightful collection. The scenes are fully restored to their original black and white pristine excellence. Makes you want to spend a few days watching all these films from beginning to end. Thanks for a great disk. I will seed as long as I can.

crassiusmufumbu (2009-07-30)

Dude...this is awesome thanks!!!! This guy kicks everyones ass that choreographs today. Mindblowing stuff.

 big_dad_e (2009-09-13)

Thanks VF, I'm a fan of BB from way back!

 big_dad_e (2009-09-19)

"The Busby Berkeley Disc," ditches the stories in favor of a cavalcade of 20 musical numbers. This compilation, created for laserdisc release in 1992, is especially fascinating.) Along with "42nd Street" ? the only one of the six DVDs previously released (and the only one sold separately) -- we get "Footlight Parade," "Dames" and two entries in the "Gold Diggers" series (1933 and 1935). Berkeley standbys Ruby Keeler and Dick Powell are joined by the likes of Ginger Rogers, Joan Blondell, James Cagney and all those WB character actors.

tolpuddleman (2011-09-16)

Thanks for sharing - terrific movie !