Muerte de un ciclista aka Death of a Cyclist

Juan Antonio Bardem - Muerte de un ciclista aka Death of a Cyclist http://www.imdb.com/title/tt0048394 Language Spanish Subtitles included: English - .srt http://ecx.images-amazon.com/images/I/51Pzw1YwEnL.jpg http://i202.photobucket.com/albums/aa318/crasus_mulder_v2/dana_scully/32X5v5dApt4t795upBqgbW89tjBtTh0q5h.jpg http://i202.photobucket.com/albums/aa318/crasus_mulder_v2/dana_scully/1563xx765gW9vpyi561b3Qx49r337sqrbT9.jpg http://i202.photobucket.com/albums/aa318/crasus_mulder_v2/dana_scully/19Xhr5799021xqcg90Fb8q5WF73c164D3.jpg http://i202.photobucket.com/albums/aa318/crasus_mulder_v2/dana_scully/15q67q6jFu9C7j54jBX67emYmW6tvX782.jpg Death of a Cyclist is Spanish director Juan Antonio Bardem's response to a national cinema he famously denounced as "politically ineffective, socially false, intellectually worthless, aesthetically nonexistent, and industrially crippled." Fittingly, his portrait of the complacent and disaffected upper class during Franco's regime opens with a crash, as adulterous couple María José (Lucia Bosé) and Juan (Alberto Closas) accidentally run over a man on a bicycle and, fearing discovery, leave the wounded cyclist behind. The man's death brings guilt upon Juan's shoulders, yet it also precipitates a painful new awareness: A former idealist hollowed out by the country's civil war, he comes to see the emptiness of his bourgeois ways as well as experience a renewal of his rebelliousness. María José, on the other hand, has no intention of trading the gilded cages supported by her husband Miguel (Otello Toso) for spiritual redemption, and soon becomes the femme fatale promised by the film's noir-tinged strains. The most intriguing aspect of Bardem's social critique is the way Juan's increasing need for exposure is contrasted with the sardonic insinuations of Rafa (Carlos Casaravilla), the slimy art critic whose observations on his decadent companions ("All the ugly things you hide, I dig them up and lay them before you") show that, within bourgeois circles, even self-critical impulses have become utterly corrupted. Unfortunately, many of Bardem's insights are blunted by his unsubtle technique, which provides redundant dialogue ("A new bracelet versus a thousand impoverished customers" is typical party chatter) and enough shock cuts for an entire John Frankenheimer retrospective. (Bosé's presence irresistibly invites comparison with Story of a Love Affair, but where Michelangelo Antonioni dissected his couple's alienation with a diamond-cutter's delicacy, Bardem for the most part merely parades it unilluminatingly.) Explicitly designed as a shock to the system, Death of a Cyclist too often settles for academic subversion. http://i202.photobucket.com/albums/aa318/crasus_mulder_v2/dana_scully/vlcsnap-1734266.png http://i202.photobucket.com/albums/aa318/crasus_mulder_v2/dana_scully/vlcsnap-1732182.png http://i202.photobucket.com/albums/aa318/crasus_mulder_v2/dana_scully/vlcsnap-1734448.png -------not my rip--------- ~~~~~~ Muerte de un ciclista.avi ~~~~~~ File Size (in bytes):...........................1,277,571,072 --- Video Information --- Video Codec Name:...............................XviD ISO MPEG-4 Duration (hh:mm:ss):............................1:27:26 Frame Count:....................................125764 Frame Width (pixels):...........................640 Frame Height (pixels):..........................480 Aspect Ratio:...................................1.333 Frames Per Second:..............................23.976 Video Bitrate (kbps):...........................1747 ......MPEG-4......B-VOP........................ Quality Factor (bits/pixel)/frame:..............0.237" --- Audio Information --- Audio Codec:....................................0x2000 (Dolby AC3) AC3 Audio Sample Rate (Hz):.........................48000 Audio Bitrate(kbps):............................192 Audio Bitrate Type ("CBR" or "VBR"):............CBR Audio Channel Count:............................1 Freakyflicks is a free and open community dedicated to preserving and sharing cinematic art in the digital era. Our goal is to disseminate such works of art to the widest audience possible through the channels provided by P2P technology. The Freakyflicks collection is limited to those films that have played an exceptional role in the history of cinema and its progression in becoming a great art. Films that are usually described as classic, cult, arthouse and avant-garde. If you have films that fit this description feel free to share them and participate in our community. All you need do is include this tag in your upload and join us at the forum to announce your release. 'If we all seed just 1:1, give at least what we take, this torrent will NEVER DIE

udp://tracker.openbittorrent.com:80
udp://open.demonii.com:1337
udp://tracker.coppersurfer.tk:6969
udp://exodus.desync.com:6969

uzlicek64 (2012-05-21)

Thank you!