Ash Ra Tempel-Schwingungen-Seven Up

Ash Ra Tempel Schwingungen/Seven Up (1972)@256kbps including artwork 2 albums on one CD Schwingungen: 1. Light- Look At Your Sun (6.12) 2. Darkness- Flowers Must Die (11.50) 3. Suche & Liebe (18.57) Seven Up (w/ Timothy Leary) 4. Space (16.02) 5. Time (21.36) Ash Ra Tempel's second album featured the first of several personnel changes, Klaus Schulze having departed for other realms and replaced as a result by Wolfgang Muller. A few guest players surfaced here and there as well, with one John L. taking the lead vocals -- another difference from the self-titled debut, which was entirely instrumental. The general principle of side-long efforts continued, though the first half was split into two related songs, "Light" and "Darkness." "Light" itself sounded halfway between the zoned-out exploration of "Traummaschine" and bluesy jamming, a weird if not totally discordant combination that still manages to sound more out there than most bands of the time. Gottsching's fried solo, in particular, is great, sending the rest of the song out to silence that leads into "Darkness." Said song initially takes a far more minimal approach that bears even more resemblance to "Traummaschine," fading out almost entirely by the third minute before a full band performance (including Uli Popp on bongos and Matthais Wehler's sudden alto sax bursts) slowly builds into a frenetic jam. John L.'s vocals become echoed screams and yelps not far off from Damo Suzuki's approach in Can, and the overall performance is a perfect slice of Krautrock insanity, sudden swirls of flanging and even more on-the-edge solos from Gottsching and Wehler sending it over the top. "Suche & Liebe" takes up the entire second side, the performers this time around concentrating on the quiet but unsettling approach, Gottsching's massive soloing kept low in the mix but not so much that it doesn't freak out listeners. The song concludes on an almost conventionally pretty band jam, something that could almost be Meddle-era Pink Floyd, only with even a more haunting, alien air thanks to the wordless vocal keening. Even with the presence of special guest Timothy Leary, Seven Up sticks to its predecessor's penchant for bizarre, bluesy psychedelia on the first side while the second takes off into the deepest realms of space rock. Fans of Leary may be a bit surprised, since he's but one of the five voices sprinkled throughout the album and sounds more like a poor man's Eric Burdon than an acid visionary might on tracks like "Right Hand Lover," "Downtown," and "Power Drive." Side two consists of three drawn-out space jams that conclude with a rushing of air quite close to a vacuum cleaner. Except for the last bit, Seven Up is not quite the meeting of minds that acid and Kraut fans expected. (allmusic.com reviews)

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comendante (2006-03-28)

Please keep seeding! Please!

comendante (2006-03-28)

Please keep seeding!

unholm (2008-04-15)

THANK YOU - THANK YOU !!!
I had both records 35 years ago, and they got lost somehow. I didn't hear them for at least 30 years.
Thanks for taking me back to my youth...
Best wishes,
Hans-Helmut

satrajitc (2011-12-15)

Danke!! This is impossible to get!!