L'aveu The Confession (De Costa-Gavras - Y Montand - S Signoret - 1970)

Quality : DVDrip Format : avi Video : 504x288 Audio : French subtitles Eng ,Spa http://www.imdb.com/title/tt0065439/ Release year: 1970 Country : France- Italy Genre: Political drama Duration: 133 min Director: Host -Gavras Starring: Yves Montand , Simone Signoret , Gabriele Fertsetti , Michelle Vitol , Jean Buiz , Laszlo Szabo , Monique Chaumette , Guy Mairesse , Marc Eyraud Description: This film debunks one of the most enduring taboos rooted in the minds of many . We are talking about earlier politically taboo (first of all - for us and for the residents of Eastern Europe), suppression of the individual subject totalitarian regimes. When French director Costa - Gavras , having Greek and Russian -Jewish roots, spoke of the military dictatorship in Greece (" Zeta ") , Uruguay (" State of Siege ") and Chile (" Missing "), we enthusiastically support him . And in the film " Recognition" director turned to Arthur's autobiographical notes of London , a member of the Czechoslovak government and one of the defendants in the famous " process Slansky " in 1951 , similar to those indicative of the tribunal, which were built in the USSR in the late 30's and in the end 40s . It can be assumed that a particular anger at the ideological zealots of innocence of the Soviet people has caused Costa Gavras desire to expand the scope of the narrative and include a chronicle of the events of August 1968, when Soviet tanks entered Prague , issued ostensibly for the troops of the Warsaw Pact . Immediately director was accused of anti-communism and anti-Sovietism , and the name of his paintings ruthlessly edit out even filmograficheskih of reference publications. Only in the late '80s began soul-searching , reviewing many decades dominant ideological dogmas. The rapid democratic renewal in Eastern Europe also forced to change attitudes and to a series of past events. So many years ago, shot the film appeared extremely relevant ( as evidenced by his belated premiere in June 1990 in Moscow). Costa - Gavras succeeded in " Confession " is not only to tell the complex , tragic period in the history of Stalinist Czechoslovakia. It is stunningly recreated the mechanism of the dictatorship of authority , turning even an outstanding personality in the " cog" in the state machine, a voluntary " lamb " who has devoted himself to the slaughter . Jesuitry dictatorship manifested in the way it makes people communicate , including - in ourselves, to give the " confession ", the ideals of the party and the people , performing party discipline . Totalitarianism does not rest solely on the suppression or on the " cult of personality" of the leader - he largely owes its vitality to a certain " herd instinct ", the individual will be like everyone else , not to stand out from the crowd, even one that dutifully forwarded to the place of execution . The director of this film leaves no illusions about the fallacies of historical errors, "deviations" from the party 's own off course . The main conflict is a duel to the death of a person and that forces (but only " on their own ") to deviate from the personal "I", dissolve with pleasure and without a trace in the political mayhem inhuman terror , play another role - the repentant "scapegoat" - in a grand spectacle quite sacred character. Unquestioning faith in the party and the subordination of common interest - that , according to Costa - Gavras , has broken in communist jails those who passed the king , the bourgeois and the Gestapo prison. It was only a sense of human dignity, self-respect , is not subject to the process of "mass brainwashing " can survive and even break , after all , free. Strict in his manner , devoid of external stresses deployment events , focusing on the fate of one man , the picture of "Recognition " involves a deep inner drama , the work of thought. Originality and persuasiveness of cinematographic art manifested in the fact that the most authentic reproduction of the era, the documentary material does not interfere , but rather contribute to the metaphorical interpretation of the narrated stories . A French actor and singer Yves Montand , parted with leftist ideals even after the events in Budapest in December 1956 , played one of his best and dramatically different from the other part , by reason of which he was promptly removed from the number of " best friends of the USSR ."

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