Andrei Tarkovsky - Andrei Rublev [PTbr][Eng][Esp][sonicalchemy]

Widely recognized as a masterpiece, Andrei Tarkovsky's 205-minute medieval epic, based on the life of the Russian monk and icon painter, was not seen as the director intended it until its re-release over twenty years after its completion. The film was not screened publicly in its own country (and then only in an abridged form) until 1972, three years after winning the International Critics Prize at the Cannes Film Festival. Calling the film frightening, obscure, and unhistorical, Soviet authorities edited the picture on several occasions, removing as much as an entire hour from the original. Presented as a tableaux of seven sections in black and white, with a final montage of Rublev's painted icons in color, the film takes an unflinching gaze at medieval Russia during the first quarter of the 15th century, a period of Mongol-Tartar invasion and growing Christian influence. Commissioned to paint the interior of the Vladimir cathedral, Andrei Rublev (Anatoli Solonitsyn) leaves the Andronnikov monastery with an entourage of monks and assistants, witnessing in his travels the degradations befalling his fellow Russians, including pillage, oppression from tyrants and Mongols, torture, rape, and plague. Faced with the brutalities of the world outside the religious enclave, Rublev's faith is shaken, prompting him to question the uses or even possibility of art in a degraded world. After Mongols sack the city of Vladimir, burning the very cathedral that he has been commissioned to paint, Rublev takes a vow of silence and withdraws completely, removing himself to the hermetic confines of the monastery. Rising quickly out of this mire, the film's final section (a short story in its own right) concerns a boy named Boriska (Nikolai Burlyayev) who convinces a group of travelling bell-makers that his father passed on to him the secret of bell-making. The men take Boriska along, mostly because they pity and are amused by him, but they are quickly enthralled by the boy's ambition, determination, and confidence that he alone knows how to build the perfect bell. Boriska is soon commanding an army of assistants and peasant workers, and, indeed, his fierce temperament and refusal to accept anything but the best possible work and materials from the men fools the viewer -- possibly Boriska himself is fooled -- into thinking that he does in fact possess the secret, and that on the appointed day when the silver bell is lifted from the ground and its mallet set in place, it will ring. Amid this maelstrom of activity and confusion, Rublev appears; at first standoffish and mistrustful of the boy, he finds himself drawn to Boriska's courage and unselfconscious desire to create. Moved to put aside his vow of silence, Rublev serves finally as the boy's confessor, and he finds that, through Boriska, his faith, and art, have been renewed. Andrei Rubliov, un monje pintor de íconos que vivió en el siglo XV, recorre los campos de Rusia y es testigo de la difícil vida campesina, de la violencia y la brutalidad de los invasores, de la corrupción de los señores feudales y termina haciendo un voto de silencio. Esta primera obra maestra de Tarkovsky, realizada a los 29 años, es un impresionante y muy inspirado fresco construido como una sucesión de episodios épicos que sirven de base para una reflexión sobre el papel del artista y su compromiso ante la sociedad y el poder. Andrei Rublev (1966 / 205 min.): Andrei Rublev foi um pintor de ícones da Rússia do início do século XV. Encarregado de pintar as paredes da Catedral da Anunciação, no Kremlin, ele trabalha sob a direção do mestre grego Teófanes. Este é atormentado pela crueldade da época e a atribui à ira do Céu. Rublev, por outro lado, acredita no livre arbítrio. Esta obra-prima do cinema russo é vista como incomparável, uma elevação espiritual de senso plástico deslumbrante, que mostrou ao mundo um jovem e promissor cineasta. Andrei Rublev ficou censurado pelas autoridades da ex-União Soviética durante anos, por questionar o enfoque narrativo da História. Enjoy! Apreciem! Gocam!! Please leave uploading at least two times after download finishes Coopere, deixe semeando ao menos duas vezes o tamanho do arquivo que baixar sonicalchemy

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ghfy (2008-01-20)

Thanks very much this is a good copy with many extra scenes than the version I have seen before (the cow on fire very disturbing), great film.

n7dmcd (2008-03-17)

The quality of this is very good. However, because of the large size of this file, I had to burn it as a UDF file, and have since discovered that this type of file system won't play on my standalone dvd player.
Does anyone know how to burn this to a disc that will play on a standalone player?
Thx

sonicalchemy (2008-03-19)

For mac use burn:
http://burn-osx.sourceforge.net/
it's free and works great!! hope this helps

zeinabqureshi (2008-04-03)

I first watched this film when I was 10 (imagine). It devastated me. I believe if this film doesn't move you, nothing, nothing, will ever move you. And it is not an intellectual disturbance that you feel; you are shaken up thoroughly, you tremble in indignation.
Andrei's faith in the Troitsa (trinity) holds the film together, and your great love for the filmmaker holds you riveted to your seat.
Undoubtedly, the greatest film ever made. So realistic it could pass for a documentary.

Shark87 (2008-09-15)

Thank you by mac tip.
And by the way by the portuguese subtitlte
Obrigado.

akuaku20 (2008-09-28)

Thank you very much. Great to have the original version of this great film.

areo11 (2009-03-26)

One of the best movies EVER!
So many things on it. Tarkovskyy himself wasnt satisfied on it..

slumcat (2009-09-18)

I tried this rip but a better rip is located here.

That rip also has audio commentary which might be useful as the film is somewhat complicated and abstract.

enpezopo (2012-05-23)

[Esp] is spanish subs??

aluxebalam (2013-05-29)

Muchas gracias!!