Miles Davis - Live Around The World (1996)[Vinyl]-aksman

Miles Davis - Live Around the World Warner 2xLP-Set (Ger 1996) / Cat.#: 9362-46032-1 Mastered by Willem Makkee @ EBS, Hannover, Germany Vinyl rip in 24-bit/192kHz (presented in 24/96 & 16/44.1) | FLAC | m3u, cue & Tech Log | Artwork | DR Analysis | 1.36 gb incl. recovery | Jazz | 1996 No Miles Davis collection is complete without this important set. - Scott Yanow/AMG (4.5/5 Stars) This 2 LP-Set gives one a definitive look at Miles Davis' live show from his last three years. Using funky but unpredictable rhythm sections and leaving space for plenty of solos, Davis created a unique brand of fusion that has yet to be satisfactorily duplicated. Among his more notable sidemen during this era are altoist Kenny Garrett, Foley on lead bass (which he used as a lower-toned guitar), one or two keyboardists chosen from Joey DeFrancesco, Adam Holzman, Robert Irving III, Kei Akagi, and John Beasley, various bassists, drummers, and percussionists, and on "Amandla," the tenor of Rick Margitza. Davis is in consistently strong form throughout the numbers, which include "In a Silent Way," "New Blues," "Human Nature," "Tutu," and "Time After Time." Quite often the live versions of these songs are more creative and exciting than the ones previously issued. This highly recommended LP's (released in 1996) concludes with one number ("Hannibal") from Davis' final performance; it is not given a date but is most likely from just a few weeks before his death at age 65. No Miles Davis collection is complete without this important set. Review by Scott Yanow (allmusic.com) Track listing & Personnel A1 In A Silent Way 1:49 Bass – Benny Rietveld Keyboards – Adam Holzman, Joey DeFrancesco Alto Saxophone – Kenny Garrett Percussion – Marilyn Mazur Drums – Ricky Wellman Bass [Lead] – Foley Written-By – Zawinul* Trumpet – Miles Davis A2 Intruder 4:52 Bass – Benny Rietveld Keyboards – Adam Holzman, Joey DeFrancesco Alto Saxophone – Kenny Garrett Percussion – Marilyn Mazur Drums – Ricky Wellman Bass [Lead] – Foley Written-By – Davis* Trumpet – Miles Davis A3 New Blues 5:35 Bass – Benny Rietveld Keyboards – Adam Holzman, Robert Irving III Alto Saxophone – Kenny Garrett Percussion – Marilyn Mazur Trumpet, Keyboards – Miles Davis Drums – Ricky Wellman Bass [Lead] – Foley Written-By – Davis* B1 Human Nature 12:48 Bass – Benny Rietveld Keyboards – Adam Holzman, Joey DeFrancesco Alto Saxophone – Kenny Garrett Percussion – Marilyn Mazur Trumpet, Keyboards – Miles Davis Drums – Ricky Wellman Bass [Lead] – Foley Written-By – Bettis*, Porcaro* B2 Mr. Pastorius 3:32 Bass – Benny Rietveld Keyboards – John Beasley, Kei Akagi Alto Saxophone – Kenny Garrett Percussion – Munyungo Jackson Drums – Ricky Wellman Bass [Lead] – Foley Written-By – Miller* Trumpet – Miles Davis C1 Amandla 5:52 Bass – Benny Rietveld Keyboards – Adam Holzman, Kei Akagi Written-By – Miller* Tenor Saxophone – Rick Margitza Percussion – Munyungo Jackson Drums – Ricky Wellman Bass [Lead] – Foley Trumpet – Miles Davis C2 Wrinkle 7:17 Bass – Richard Patterson (2) Keyboards – Kei Akagi Alto Saxophone – Kenny Garrett Percussion [Electronic] – Erin Davis Trumpet, Keyboards – Miles Davis Drums – Ricky Wellman Bass [Lead] – Foley Written-By – Davis* C3 Tutu 8:53 Bass – Richard Patterson (2) Keyboards – Kei Akagi Flute – Kenny Garrett Written-By – Miller* Percussion [Electronic] – Erin Davis Trumpet, Keyboards – Miles Davis Drums – Ricky Wellman Bass [Lead] – Foley D1 Full Nelson 2:48 Bass – Benny Rietveld Keyboards – Adam Holzman, Robert Irving III Alto Saxophone – Kenny Garrett Percussion – Marilyn Mazur Drums – Ricky Wellman Bass [Lead] – Foley Written-By – Miller* Trumpet – Miles Davis D2 Time After Time 9:56 Bass – Benny Rietveld Keyboards – Adam Holzman, Kei Akagi Flute – Kenny Garrett Written-By – Lauper*, Hyman* Percussion – Munyungo Jackson Drums – Ricky Wellman Bass [Lead] – Foley Trumpet – Miles Davis D3 Hannibal 7:22 Bass – Richard Patterson (2) Keyboards – Deron Johnson Alto Saxophone – Kenny Garrett Drums – Ricky Wellman Bass [Lead] – Foley Written-By – Miller* Trumpet – Miles Davis Credits Art Direction, Design – Stine Schyberg, Tom Recchion Compilation Producer – Adam Holzman, Gordon Meltzer Executive Producer – Gordon Meltzer Mastered By [Analog Transfer], Edited By [Additional] – Dan Gellert Mastered By, Edited By [Digital] – Scott Hull (2) LP Mastering by Willem Makke @ EBS, Hannover, Germany Photography By [Cover] – Gordon Meltzer Photography By [Inside Booklet, Cd Label] – Jeff Sedlik Photography By [Inside Inlay, Outside Booklet] – Dany Gignoux Producer [Live On Stage] – Miles Davis Recorded By, Mixed By – Don Kurek (tracks: 11), Patrick Murray (tracks: 1 to 10) Notes Track 1, 2 recorded in New York, NY, Indigo Blues Club, Saturday, December 17, 1988, 2nd show Track 3 recorded in Los Angeles, CA, Greek Theatre, Sunday, August 14, 1988 Track 4 recorded in Graz, Austria, Liebenauer Eishalle, Tuesday, November 1, 1988 Track 5 recorded in Montpellier, France, Le Zenith - Domaine de Grammond, Wednesday, April 12, 1989 Track 6 recorded in Rome, Italy, Pallazo della Civita "The Steps", Wedenesday, July 26, 1989 Track 7, 8 recorded in Montreux, Switzerland, Casino de Montreux, Montreux International Festival, Friday, July 20, 1990 Track 9 recorded in Osaka, Japan, Osaka Expo Park, Live under the Sky Festival, Sunday, August 7, 1988 Track 10 recorded in Chicago, Illinois, Chicago Theatre - JVC Jazz Festival, Monday, June 5, 1989 Track 11 from Miles Davis' last performance Barcode and Other Identifiers Barcode: 0 9362-46032-1 Technical Log RCM Hannl 'limited' with "Rotating Brush" Music Hall MMF 9.1 Turntable Tonearm: Pro-Ject 9cc evo with Pure Silver Wires Cartridge: Nagaoka MP-500 Brocksieper Phonomax (Tube Phono PreAmp) E-MU 0404 external USB 2.0 Audiointerface Interconnections : Silent Wire NF5 WaveLab 6 recording software iZotope RX Advanced 2.00 for resampling and dithering Vacuum cleaning - TT - Brocksieper Phonomax - E-MU 0404 - WaveLab 6 (24/192) - manual click removal - analyze (no clipping, no DC Bias offset) - resampling and dithering with iZotope RX Advanced 2.00 - split into individual Tracks - FLAC encoded (Vers. 1.21) No silence been removed, please burn gapless to match original tracklayout. Personal Note With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.

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 rjordan21 (2011-08-08)

Glad to "see" ya insinuendo.... and as usual bringing some nice vinyl played back through good equipment. I always liked the music the Nagaoka MP-500 pulled from the groove.

 insinuendo (2011-08-08)

Enjoy bud!

 politux (2011-08-09)

Thanks for the up, insinuendo.

Highly recommended!

_kewlCat (2011-12-02)

Pristine top quality.