Lynn Miles...Black Flowers Volume 1-2(2009)[FLAC]

[img]http://cdn.7static.com/static/img/sleeveart/00/011/013/0001101324_350.jpg[/img] [color=Green]Black Flowers Volume 1-2 [2009]True North / TND531[/color] [img]http://i128.photobucket.com/albums/p180/SonAfterDark/tracklistlatest.png[/img] 1 A Thousand Lovers -Miles 3:34 2 I Give Up -Miles 4:12 3 Map of My Heart -Miles 4:46 4 Night Drive -Miles 3:45 5 You're Not Coming Back -Miles 2:33 6 I'm the Moon -Miles 4:40 7 Surrender Dorothy -Miles 4:07 8 Over You -Miles 4:42 9 Try Not to Be So Sad -Miles 3:47 10 When My Ship Comes In -Miles 3:05 1 All I Ever Wanted -Miles 3:59 2 Eight Hour Drive -Miles 3:46 3 Rust -Miles 3:15 4 Flames of Love -Miles 3:39 5 Hide Your Heart -Miles 2:09 6 Last Night -Miles 3:46 7 When Did the World -Miles 4:41 8 I Always Told You the Truth -Miles 3:21 9 Black Flowers -Miles 3:27 10 The People You Love -Miles 3:04 Canadian singer/songwriter Lynn Miles bases all of her tunes for this double-CD set on the lonely times, lost love, and downhearted feelings that stem from personal experience. It seems she expresses that fish-out-of-water state of being universally acknowledged by all thinking human beings plagued with emptiness. Yet this is not a blues-based music, but a folkish, introspective, storytelling type of sound so deeply ingrained that only she can express or experience it. Playing mainly acoustic, or occasionally electric guitar while singing, Miles has a crystal-clear approach to these songs, with little or no mystery involved, but instead a definite message of solitude within isolation. In a distant viewpoint, songs like "Map of My Heart," replete with echo and reverb guitar, the rambling "I'm the Moon," with a reference to a cheap hotel, and the faux denial of "Over You" as she's heading for New Mexico, show Miles in an escapist mood. There's a more hopeful sentiment in spoken phrases during "When My Ship Comes In" and the midtempo "All I Ever Wanted," while Miles plays harmonica for "Eight Hour Drive," even sounding Bob Dylan-ish during the more connected "Flames of Love." On occasion she puts aside the guitar for a piano, in Joni Mitchell-type reflection for "The People You Love" or "You're Not Coming Back." Honest to a fault, Lynn Miles wears her heart on her sleeve 100-percent of the time in a frequently painful but forthright musical portrayal of her soul. cd ripped by EAC please seed [url]http://dickthespic.org/2011/02/19/lynn-miles/[/url]

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