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Ironija Sudbi 2 DVDRip by INTERFILM (torrents.ru - 650459)

Infohash:

FB2715E6B4CB47C413485CB789A51C88C1B191C7

Type:

Movies

Title:

Ironiya.sudby.2.2007.O.DVDRip_INTERFILM[torrents.ru - 650459]

Category:

Video/Movies

Uploaded:

2008-02-07 (by film-from-torrents-ru)

Description:

http://torrents.ru/forum/viewtopic.php?t=650459

Files count:

1

Size:

1399.79 Mb

Trackers:

udp://tracker.openbittorrent.com:80
udp://open.demonii.com:1337
udp://tracker.coppersurfer.tk:6969
udp://exodus.desync.com:6969

Comments:

jokir (2008-02-08)

?????

autoclik (2008-08-03)

does it have english subs?

maini4ka (2009-04-30)

Get the [much better] 1975 original here:
http://thepiratebay.se/torrent/4875414

maini4ka (2009-05-01)

Opinion: If there is one lesson that could be drawn from this movie, it is this: do not touch old Soviet classics! Does anyone really think it is possible to produce a sequel to a movie thirty years after it came out on the screens? Since the old "Irony of Fate" was made, it has become one of the most venerated Soviet cultural icons. And icons are better be left alone. I'm not sure if any director would be able to make a successful "Irony of Fate-2", but what we are offered by Bekmambetov is at best a third-rate production. Bekmambetov may be a decent thriller-movie director (see his Daywatch and Nightwatch) but he is extremely weak as a maker of romantic comedies, which is what "Irony-2" was purported to be. The plot details are not developed at all (thus, we do not learn anything about Kostya's or Nadya's occupations or previous lives); the advertising of Toyota Camry is too obvious not to be noticed; and the acting, with the possible exception of Bezrukov (Irakliy) is one-dimensional and unconvincing. The old actors (Myagkov, Brylska) look tired, lost and emotionless, as if trying to understand what it is really they are doing in this movie. Special effects (such as the one with the Aurora) may be fitting in a fantasy thriller but they look out of place in a romantic comedy. In short, this is another proof that there is little worth seeing in post-Soviet cinema.