Glenn Miller - Millenium Collection - 2Cd (2000) [LOSSLESS FLAC]

Glenn Miller - Millenium Collection - 2Cd (2000) [LOSSLESS FLAC][Tntvillage.Scambioetico] Glenn Miller - Millenium Collection - 2Cd by RDaneel [::Album Information::] Title: Millenium Collection Years: 2000 Genre: Swing Production: - [::Tracklist::] CD 1 1. Little Brown Jug - 2:54 2. In the Mood - 3:33 3. Farewell Blues - 3:08 4. Tuxedo Junction - 3:28 5. Moonlight Serenade - 3:23 6. Perfidia - 3:14 7. A String of Pearls - 3:17 8. Pennsylvania 6-5-0-0-0 - 3:17 9. Chattanooga Choo Choo - 3:27 10. Sliphorn Jive - 3:10 11. My Blue Heaven - 3:13 12. I've Got a Girl in Kalamazoo - 3:18 13. Pagan Lovesong - 3:13 14. Sold American - 3:33 16. My Isle of Golden Dreams - 3:15 17. Slow Freight - 3:11 18. Serenade in Blue - 3:25 CD 2 1. Anvil Chorus (Verdi) - 3:48 2. Poinciana (Powell) - 4:57 3. Saint Louis Blues March (Handy) - 4:20 4. Begin the Beguin (Porter) - 3:29 5. Over There (Cohan) - 2:00 6. Here We Go Again (Savitt) - 3:37 7. Everybody Loves My Baby (Palmer - Williams) - 2:48 8. Sun Valley Jump (Gray) - 2:17 9. Juke Box Saturday Nigh t (Stillman - Mac Grane) - 2:59 10. Jeep Jockey Jump (Raeburn) - 2:13 11. The Spirit Is Willing (Gray - arr. Gray) - 3:11 12. I Dream I Dwelt in Harlem (Wright - Smith - Ware - Gray) - 3:21 13. When That Man Is Dead and Gone (Berlin - arr. Gray) - 2:28 14. Long Tall Mama (A.May - arr. B.May) - 2:47 15. Chip of the Old Block (Young) - 2:29 16. Swing Low Sweet Chariot (Trad.) - 5:08 [::Review::] Glenn Miller (Alton) (March 1, 1904 missing December 15, 1944), was an American jazz musician, arranger, composer, and band leader in the swing era. He was one of the best-selling recording artists from 1939 to 1942, leading one of the best known "Big Bands". Miller's signature recordings include In the Mood, American Patrol, Chattanooga Choo Choo, Tuxedo Junction, Moonlight Serenade, Little Brown Jug and Pennsylvania 6-5000. While traveling to entertain U.S. troops in France during World War II, Miller's plane disappeared in bad weather. His body has never been found. In 1923, Miller entered the University of Colorado at Boulder, where he joined Sigma Nu Fraternity, but spent most of his time away from school, attending auditions and playing any gigs he could get, most notably with Boyd Senter's band in Denver. He dropped out of school after failing three out of five classes one semester, and decided to concentrate on making a career as a professional musician. He later studied the Schillinger technique with Joseph Schillinger, under whose tutelage he composed what became his signature theme, Moonlight Serenade. In 1926, Miller toured with several groups, eventually landing a good spot in Ben Pollack's group in Los Angeles. During his stint with Pollack, Miller wrote several musical arrangements of his own. In 1928, when the band arrived in New York City, he sent for and married his college sweetheart, Helen Burger. He was a member of Red Nichols's orchestra in 1930, and because of Nichols, Miller played in the pit bands of two Broadway shows, Strike Up the Band and Girl Crazy (where his bandmates included Big Band giants Benny Goodman and Gene Krupa). During the late 1920s and early 1930s, Miller managed to earn a living working as a freelance trombonist in several bands. On November 14, 1929, an original vocalist named Red McKenzie hired Glenn to play on two records that are now considered to be jazz classics: "Hello, Lola" and "If I Could Be With You One Hour Tonight." Beside Glenn were clarinetist Pee Wee Russell, guitarist Eddie Condon, drummer Gene Krupa and Coleman Hawkins on tenor saxophone. In the early-to-mid-1930s, Miller also worked as a trombonist and arranger in The Dorsey Brothers, first when they were a Brunswick studio group and finally when they formed an ill-fated co-led touring and recording orchestra. Miller composed the song "Annie's Cousin Fanny" and "Dese Dem Dose" for the Dorsey Brothers Band in 1934 and 1935. In 1935, he assembled an American orchestra for British bandleader Ray Noble, developing the arrangement of lead clarinet over four saxophones that eventually became the sonic keynote of his own big band. Members of the Noble band included future bandleaders Claude Thornhill, Bud Freeman and Charlie Spivak. Glenn Miller made his first movie appearance in the 1935 Paramount Pictures release The Big Broadcast of 1936 as a member of the Ray Noble Orchestra. The Big Broadcast of 1936 starred Bing Crosby, George Burns, Gracie Allen, Ethel Merman, Jack Oakie, and Bill "Bojangles" Robinson and also featured other performances by Dorothy Dandridge and the Nicholas Brothers, who would appear with Miller again in two movies for Twentieth Century Fox in 1941 and 1942. Glenn Miller compiled several musical arrangements and formed his first band in 1937. The band failed to distinguish itself from the many others of the era, and eventually broke up. Benny Goodman said in 1976, "In late 1937, before his band became popular, we were both playing in Dallas. Glenn was pretty dejected and came to see me. He asked, 'What do you do? How do you make it?' I said, 'I don't know, Glenn. You just stay with it. Discouraged, Miller returned to New York. He realized that he needed to develop a unique sound, and decided to make the clarinet play a melodic line with a tenor saxophone holding the same note, while three other saxophones harmonized within a single octave. George Simon discovered a saxophonist named Wilbur Schwartz for Glenn Miller. Miller hired Schwartz, but instead had him play the lead clarinet. According to Simon, "Willie's tone and way of playing provided a fullness and richness so distinctive that none of the later Miller imitators could ever accurately reproduce the Miller sound." With this new sound combination, Glenn Miller found a way to differentiate his band's style from the many bands that existed in the late thirties. Miller talked about his style in the May, 1939 issue of Metronome magazine. "You'll notice today some bands use the same trick on every introduction; others repeat the same musical phrase as a modulation into a vocal. [...] We're fortunate in that our style doesn't limit us to stereotyped intros, modulations, first choruses, endings or even trick rhythms. The fifth sax, playing clarinet most of the time, lets you know whose band you're listening to. And that's about all there is to it." In September 1938, the Miller band began making recordings for the RCA Victor, Bluebird Records' subsidiary. Charlie "Cy" Shribman, a prominent East Coast businessman, began financing the band, providing a much needed infusion of cash. In the spring of 1939, the band's fortunes improved with a date at the Meadowbrook Ballroom in Cedar Grove, New Jersey, and more dramatically at the Glen Island Casino in New Rochelle, New York. The Glen Island date according to author Gunther Schuller attracted "a record breaking opening night crowd of 1800[...]." With the Glen Island date, the band began a huge rise in popularity. In 1939, Time magazine noted: "Of the twelve to 24 discs in each of today's 300,000 U.S. jukeboxes, from two to six are usually Glenn Miller's." There were record-breaking recordings such as "Tuxedo Junction" which sold 115,000 copies in the first week. Miller's huge success in 1939 culminated with his band appearing at Carnegie Hall on October 6, with Paul Whiteman, Benny Goodman, and Fred Waring also the main attractions. From 1939 to 1942, Miller's band was featured three times a week during a broadcast for Chesterfield cigarettes, first with the Andrews Sisters and then on its own. On February 10, 1942, RCA Victor presented Miller with the first gold record for "Chattanooga Choo-Choo." "Chattanooga Choo Choo" was performed by the Miller orchestra with his singers Gordon "Tex" Beneke, Paula Kelly and the vocal group, the Modernaires. Other singers with this orchestra included Marion Hutton, Skip Nelson, Ray Eberle and to a smaller extent, Kay Starr, Ernie Caceres, Dorothy Claire and Jack Lathrop. Pat Friday ghost sang with the Miller band in their two films, Sun Valley Serenade and Orchestra Wives with Lynn Bari lip synching.

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