Thomas Arslan - Der schone Tag aka A Fine Day

Thomas Arslan - Der schone Tag aka A Fine Day (2001) http://www.imdb.com/title/tt0280096/ Language German, some German hardcoded subtitles for parts in Turkish Subtitles English (custom) http://i370.photobucket.com/albums/oo143/lohmannn/derschoenetagplakat.jpg Completing Thomas Arslan’s trilogy on the Turkish community in the Kreuzberg district of Berlin, A Fine Day is lean and luminous in its chronicling of a young woman’s search for love. Deniz, a “regally placid” (Variety) twenty-one-year-old, freelance actress is enlivened by the uncertainty that lays before her now that she has dumped her boyfriend, seemingly on a whim. With her brisk and confident strut, she appears out to conquer the world, her gaze sober, focused, and in search of that special someone, whom she may have found in her enigmatic neighbour Diego. A Fine Day is a sumptuously shot yet refreshingly economical, Rohmeresque moral tale (a direct nod is made to the French master when Deniz takes a job dubbing Un Conte d’été). The other influence is Pialat; a story Deniz recounts at an audition recalls his À nos amours, which featured an adolescent Sandrine Bonnaire also in search of first love. An ambulatory tendency is discernible in many of the Berlin School films, in which meandering city-searches become metaphors for characters’ states of longing and self-discovery. In this case, Arslan’s camera rarely strays from Deniz, framing her tightly as she strides through a Berlin in full summer bloom, its radiance matching hers. Punctuated with music by Morton Feldman, A Fine Day is “strewn with the gentlest of ironies and coincidences” (Eddie Cockrell, Variety) and is a pure delight. Arslan's previous feature »Dealer« suggested a poised talent, a sure eye and a composed sensibility brought to bear on a 'still waters run deep' portrait surely inspired by Bresson. His follow-up maintains the promise, though the template has shifted towards Rohmer, with a meandering female protagonist (shown dubbing »A Summer's Tale«), a good bit of talk and some string-pulling. A 'day in the life' snapshot, it's likewise reminiscent of prime Richard Linklater, in both its episodic linearity and its deployment of lop-sided set piece dialogue - as Deniz (Turhan) leaves her lover, surveys romantic plights with old family and friends, submits to a curiously sparse job audition, shares ideas with strangers and eyes up boys. It's a study of the proverbial hungry heart, profiled mostly through speech but also through Deniz's roving eye and the daily pattern of her peregrination. Not as substantial as the aforementioned models, mind, but lucid and definitely intriguing. http://i370.photobucket.com/albums/oo143/lohmannn/thefineday_01.jpg http://i370.photobucket.com/albums/oo143/lohmannn/thefineday_02.jpg http://i370.photobucket.com/albums/oo143/lohmannn/thefineday_04.jpg http://i370.photobucket.com/albums/oo143/lohmannn/thefineday_06.jpg -------not my rip--------- ~~~~~~ Der schone Tag.avi ~~~~~~ File Size (in bytes):...........................853,122,218 --- Video Information --- Video Codec Name:...............................FFmpeg/ffdshow ISO MPEG-4 Duration (hh:mm:ss):............................1:09:19 Frame Count:....................................103967 Frame Width (pixels):...........................640 Frame Height (pixels):..........................384 Aspect Ratio:...................................1.667 Frames Per Second:..............................25.000 Video Bitrate (kbps):...........................1500 ......MPEG-4.............................. Quality Factor (bits/pixel)/frame:..............0.244" --- Audio Information --- Audio Codec:....................................0x0055 MPEG-1 Layer 3 Audio Sample Rate (Hz):.........................48000 Audio Bitrate(kbps):............................128 Audio Bitrate Type ("CBR" or "VBR"):............CBR Audio Channel Count:............................2 ******************************** Freakyflicks is a free and open community dedicated to preserving and sharing cinematic art in the digital era. Our goal is to disseminate such works of art to the widest audience possible through the channels provided by P2P technology. The Freakyflicks collection is limited to those films that have played an exceptional role in the history of cinema and its progression in becoming a great art. Films that are usually described as classic, cult, arthouse and avant-garde. If you have films that fit this description feel free to share them and participate in our community. All you need do is include this tag in your upload and join us at the forum to announce your release. https://board.freakyflicks.org/index.php 'If we all seed just 1:1, give at least what we take, this torrent will NEVER DIE"

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1729X (2012-09-22)

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