Kevin Welch, Kieran Kane & Fats Kaplin-You Can't Save Everybo

http://ecx.images-amazon.com/images/I/61XX98963JL._SS500_.jpg ------------------------------------------------------------------- Kieran Kane And Kevin Welch With Fats Kaplin - You Can't Save Everybody ------------------------------------------------------------------- Artist...............: Kieran Kane And Kevin Welch With Fats Kaplin Album................: You Can't Save Everybody Genre................: Country Source...............: CD Year.................: 2004 Ripper...............: & Codec................: LAME 3.92 Version..............: MPEG 1 Layer III Quality..............: Standard, (avg. bitrate: 180kbps) Channels.............: Joint Stereo / 44100 hz Tags.................: ID3 v1.1, ID3 v2.3 Information..........: www.bitsarah.com Ripped by............: wimi on 20/05/2006 Posted by............: wimi on 20/05/2006 News Server..........: News Group(s)........: Included.............: NFO, PLS, M3U ------------------------------------------------------------------- Tracklisting ------------------------------------------------------------------- 01. (03:13) Kieran Kane And Kevin Welch With Fats Kaplin - You Can't Save Everybody 02. (03:59) Kieran Kane And Kevin Welch With Fats Kaplin - Dark Eyed Gal 03. (03:11) Kieran Kane And Kevin Welch With Fats Kaplin - Hillbilly Blue 04. (04:21) Kieran Kane And Kevin Welch With Fats Kaplin - Jersey Devil 05. (02:41) Kieran Kane And Kevin Welch With Fats Kaplin - Somewhere In The Middle 06. (04:01) Kieran Kane And Kevin Welch With Fats Kaplin - Flycatcher Jack And The Whippoorwill's Song 07. (02:47) Kieran Kane And Kevin Welch With Fats Kaplin - Callin' Me 08. (03:29) Kieran Kane And Kevin Welch With Fats Kaplin - Till I'm Too Old To Die Young 09. (02:50) Kieran Kane And Kevin Welch With Fats Kaplin - Cecil's Lament 10. (04:09) Kieran Kane And Kevin Welch With Fats Kaplin - Everybody's Working For The Man Again 11. (03:30) Kieran Kane And Kevin Welch With Fats Kaplin - Just Like That 12. (03:47) Kieran Kane And Kevin Welch With Fats Kaplin - A Prayer Like Any Other (For Nikke) Playing Time.........: 42:03 Total Size...........: 54,20 MB NFO generated on.....: 20/05/2006 0:30:05 ------------------------------------------------------------------- "Nashville songwriter" is more often than not a euphemism for "shameless hack," a way of telling us that the individual in question scribbles forgettable ditties -- "positive love songs" (in the industry phrase) or chest-thumping jingoistic rants -- whatever the market or an audience of undiscriminating dunces calls for. There is, however, another side of Nashville, and that is where the likes of Kieran Kane and Kevin Welch live. Here music has roots and meaning, and both are abundantly in evidence in You Can't Save Everbody. This isn't country music so much as the kind of folk sound shaped by Woody Guthrie in the 1940s and refined in the 1960s by the likes of Bob Dylan. I'm sure Dylan would approve of Kane and Welch if he's heard them. The songs, though clearly modern, incorporate rural and traditional points of reference. Like the great authentic folk songs, they speak directly to life's most elemental concerns: faith, fear, hope, love, death, rage, and landscapes both natural and psychic. These guys are too good to let any mediocre tunes mar the pleasure. Every song seems bound to grow on you with each successive listening. Three stand out immediately, at least for me. One is Kane's instrumental "Cecil's Lament," which sounds like an old Irish fiddle tune that long ago found its way to the Southern mountains. Anybody -- in this case Welch -- who would write a ballad titled "Jersey Devil" (concerning a genuine Garden State legend about a demonic winged creature) has my automatic approval. And if you lament the state of the nation, you will take to heart Welch's "Everybody's Working for the Man Again" and hasten to spread the message to your friends. "Everybody's Working" demonstrates that if the current state of the nation is good for nothing else, at least it has done wonders for the old-fashioned folk protest song. This is one biting, satisfying example. -------------------------------------------------------------------

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