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Led Zeppelin 4.25.1977 Louisville, KY
Infohash:
70E9CE51C81A91CB79230939B57961EA513011C2
Type:
Music
Title:
Led Zeppelin 4.25.1977 Louisville, KY
Category:
Audio/Music
Uploaded:
2007-12-22 (by TimD54)
Description:
Led Zeppelin
Freedom Hall
Louisville, Kentucky
April 25, 1977
AUD - RAW TRANSFER
Lineage: Master cassettes>BonhamFan cassettes>Nak BX300 w/azimuth adjustment>HHB standalone CDR>EAC>CDWav>NTI>EAC>FLAC
Thank You Bonhamfan for sharing your cassettes with us!!
Title: Louisville Slugger
Disc One
The Song Remains The Same
Sick Again
Nobody's Fault But Mine
In My Time Of Dying
Since I've Been Loving You
No Quarter
Ten Years Gone
Disc Two
The Battle Of Evermore
Going To California
Black Country Woman
Bron Yr Aur Stomp
White Summer
Kashmir
Moby Dick
Disc Three
Guitar Solo
Achilles Last Stand
Stairway To Heaven
Rock And Roll
Files count:
26
Size:
1000.07 Mb
Trackers:
udp://tracker.openbittorrent.com:80
udp://open.demonii.com:1337
udp://tracker.coppersurfer.tk:6969
udp://exodus.desync.com:6969
udp://open.demonii.com:1337
udp://tracker.coppersurfer.tk:6969
udp://exodus.desync.com:6969
Comments:
professorvalley (2008-01-20)
out of date. get the presence production, here's his notes about this one:The first person who did the transfer did it old-school and from what I can gather is not experienced in handling old tapes. He went right to work by putting the tapes in his deck and transferring to a standalone CD recorder. Various problems came up -- incorrect speed, nasty squealing, low volume levels, etc. Instead of taking corrective measures for such problems, he simply would run the tapes again, adjusting the pitch for speed, volume levels, and running multiple passes for each squeak. Also, he had azimuth adjustment on his deck, but apparently did not make correct use of it.
What disturbs me most is the squealing. That kind of squealing is caused by oxide shedding, and each time you pass the tapes you lose more and more oxide. I am lucky there was any left over.
When BonhamFan was gracious enough to let me transfer the tapes, the very first order of business was a good baking. This locked up the oxide for at least one pass, and that was all I needed. Also, I added the missing pressure pads - without those the tape pretty much "floats" above the heads instead of being pressed against them. I adjusted the azimuth real-time during the first ten seconds of playback. The key is to get the playback heads to read where the original recording deck wrote.
Plus I transferred direct to 96kHz 24bit on my hard drive. That way if there were any problems, I could correct them digitally and not run the tapes over and over.