Peter Frampton-Frampton Comes Alive (DTS ) disc 1

DVD Audio -DTS CD Not an upmix disc 1

udp://tracker.openbittorrent.com:80
udp://open.demonii.com:1337
udp://tracker.coppersurfer.tk:6969
udp://exodus.desync.com:6969

DerHansie (2008-02-21)

Has anybody gotten this image to work? I burned it (and the Disc 2 image) to CD and all I got was 95 minutes of static.
Anyway, I bought the 2CD. If the static wasn't just me, let me know and I'll upload the images, working. I did a test and can compress them to about 750MB.

starterman (2008-03-21)

bogus file...just noise shit.

leannenude (2008-04-07)

This DTS CD works great and sounds excellent. Don't worry about the static junkies, if you REALLY know what a DTS CD is, this works fine.

Granchy (2008-04-15)

lol I always laugh when I see a DTS CD listing and people say it's just static and warn people not to DL. I haven't gotten the DL finished yet but thanks for the upload!

bhobson333 (2008-04-25)

These DTS discs DO work if you have a working DTS system and they sound GREAT!!!
Where did this come from????
Listening to the talk-box solos in "Do You Feel Like We Do?" sent chills up my spine.
Thanks for the post!

biteme235 (2009-03-08)

History
One of the company's initial investors was film director Steven Spielberg, who felt that theatrical sound formats up until the company's founding were no longer state of the art, and as a result were no longer optimal for use on projects where quality sound reproduction was of the utmost importance. Work on the format started in 1991, four years after Dolby Labs started work on its new codec, Dolby Digital. The basic and most common version of the format is a 5.1 channel system, similar to a Dolby Digital setup, which encodes the audio as five primary (full-range) channels plus a special LFE (low-frequency effect) channel, for the subwoofer.
Note however that encoders and decoders support numerous channel combinations and stereo, four-channel and four-channel+LFE soundtracks have been released commercially on DVD, CD and Laserdisc.
Other newer DTS variants are also currently available, including versions that support up to seven primary audio channels plus one LFE channel (DTS-ES). DTS's main competitors in multichannel theatrical audio are Dolby Digital and SDDS, although only Dolby Digital and DTS are used on DVDs and implemented in home theater hardware. Spielberg debuted the format with his 1993 production of Jurassic Park, which came slightly less than a full year after the official theatrical debut of Dolby Digital (Batman Returns). In addition, Jurassic Park also became the first home video release to contain DTS sound when it was released on LaserDisc in January 1997, two years after the first Dolby Digital home video release (Clear and Present Danger on Laserdisc) which debuted in January 1995.

A photo of a print featuring all four audio formats (or "quad track")- from left to right, SDDS (blue area to the left of the holes), Dolby Digital (grey area between the sprocket holes), analog sound (the two white lines to the right of the Dolby Digital track), and the DTS timecode (the dashed line to the right of the analog track.)In theatrical use, information in the form of a modified time code is optically imaged onto the film. An optical LED reader reads the timecode data off the film and sends it to the DTS processor which uses this timecode to synchronize the projected image with the soundtrack audio. The actual audio is recorded in compressed form on standard CD-ROM media at a bitrate of 1,103 kbit/s. The processor also acts as a transport mechanism, as it holds and reads the audio discs. Newer units can generally hold three discs, allowing a single processor/transport to handle two-disc film soundtracks along with a third disc containing sound for theatrical trailers. In addition, specific elements of the imprinted timecode allow identifying data to be embedded within the code, ensuring that a certain film's soundtrack will only run with that film.
DTS and Dolby Digital (AC-3), DTS's chief competitor in the cinema and home theater market, are often compared due to their similarity in product goals. In theatrical installations, AC-3 audio is placed between sprocket holes, leaving the audio content susceptible to physical damage due to film wear and mishandling. DTS audio is stored on a separate set of CD-ROM media, whose greater storage capacity affords the potential to deliver better audio fidelity. However, the separation of print film and audiotrack is both a blessing and a curse. AC-3 (and SDDS) reside entirely on the 35 mm film itself, simplifying distribution by eliminating an extra (optional) deliverable. But DTS's CD-ROM media is not subject to the usual wear and damage suffered by the film print during the normal course of the movie's theatrical screening. Disregarding the separate CD-ROM assembly as a potential point of failure, the DTS audiopath is comparatively impervious to film degradation, excepting that the film-printed timecode is completely destroyed.
In the consumer (home theater) market, AC-3 and DTS are close in terms of audio performance. When the DTS audio track is encoded at its highest legal bitrate (1,536 kbit/s), technical experts rank DTS as percept

chad1254 (2013-08-16)

PLEASE SEED FOR DISC NUMBER 2 thank you very much :-) !!