Rosey 2FullCDs - Dirty Child + Luckiest Girl mp3 [QG]

The song in the Kellogg's Rice Krispies treats commercial was so perfectly crafted and sung that it was worth finding out who was behind it. After a very pleasant listen to a few of Rosey's tracks on her website and myspace page, it became clear that finding her albums came next. Surprisingly, instead of torrents I found mp3 archives on some file storage sites and they sounded great. Hence, this freshly minted torrent for the pleasure of sharing. Artist: Rosey - singer, songwriter Main Websites: roseymusic.com myspace(dot)com/rosey youtube(dot)com/roseymusic last(dot)fm/music/Rosey Album 1 CD Title: Dirty Child Label: Island - Def Jam Release Date: 25 June 2002 Genre: pop/rock Track Listing: 01 Love 3:51 (previously heard on the "Bridget Jones's Diary" OST) 02 Afterlife 3:57 (previously heard on the "Shallow Hal" OST) 03 One 3:53 04 The Time 4:54 05 Beautiful 3:28 06 Desperate 3:22 07 Like A Dream 4:09 08 Cozy 3:39 09 Dirty Child 4:04 10 Heaven 4:37 11 My Baby 2:56 11 tracks (42:50) File types: tracks are all mp3, 160 kbps CBR, with accurate ID3v1 and ID3v2 tags. Front and back cover jpgs of various sizes included. The dismissed original front cover also. Album 2 CD Title: Luckiest Girl Label: Quango Music Group, Inc. Release Date: 8 April 2008 Genre: jazz/pop Track Listing: 01 It's A Ruse 3:27 02 Who Am I 4:16 03 Love (original version) 3:51 04 I Remember 4:39 05 My Love 3:49 06 Those Eyes 2:29 07 Be Somebody Blues 4:02 08 Luckiest Girl 3:24 09 It's Easier On Me 4:48 10 Hand In Hand 4:02 11 First Time 3:43 12 The Old Fashioned Way 2:33 12 tracks (45:03) File types: tracks are all mp3, 320 kbps CBR, with accurate ID3v1 and ID3v2 tags. Front cover jpgs of various sizes included. The dismissed original front cover also. An nfo text file contains bio/album info and torrent details (what you are presently reading). Bio Rosey's cosmic funk on her debut album, Dirty Child, is inspired by this world's most basic need: love. She soaks herself in its beauty and works against its complexities for a magical carpet ride of emotion. It's distinctly focused with an urban appeal while rooted in rock, and a bit comparable to the likes of Poe, Fiona Apple, and Beth Orton. Rosey writes from the heart and it works brilliantly. The narratives of passion, loss, and personal understanding are bold without being naïve. Since we last heard from Rosey on that aforementioned 2002 freshman effort, her remarkable career has indeed taken many exciting twists and turns throughout several unconventional musical associations. Following instant national attention from her single “Love” landing on the Bridget Jones’s Diary soundtrack and “The Afterlife” scoring a slot in the Farrelly Brothers’ Shallow Hal, the tunesmith toured with the lauded likes of Melissa Etheridge and Morcheeba. Outside of her own interests, she’s also teamed up as a co-writer on many occasions, from hit maker Kelis to a number of burgeoning artists (with whom she doubles as a mentor) to writing jingles for commercials. Six years on from her debut, Rosey returns with her sophomore set. In the interim, a proposed covers album was scrapped after the singer decided a tribute album to her musical heroines made less sense than allowing their inspiration to work through her. The result is Luckiest Girl, an album that allows the singer/songwriter to explore at length her jazz influences. There’s something undeniably seductive about jazz music- its glamour, sexuality and earnest, soulful roots all appeal to a comfortable, old-fashioned musical sensibility. Yet singer/songwriter Rosey is one of the select few who sees one step beyond the classic image and recognizes the genre as an entirely fresh form of pop music. A longtime jazz lover who began her eclectic career as a rock n’ soul siren on Island/Def Jam, Rosey is unique in her ability to find the delicate balance between both eras on The Luckiest Girl, her smoky, sensual, self-produced Quango debut. “I always dreamed of making timeless music, plus people have always told me my voice was well-suited to jazz and that I should try it,” she shares... "I knew I had to go full steam and write my own jazzy repertoire. I am a songwriter after all, so it just made more sense to do it that way"... The ensuing dozen selections vibrantly encapsulate those very goals, from the cocktail lounge grooves of “Who Am I” to the vintage throwback of “Those Eyes” to the sassy seduction of “My Love.” Thematically the tunes take on a diverse swath of topics, including the music industry assessment “It’s a Ruse” (which Rosey calls her word of “warning” to up and coming acts), the growth obtained from an amicable break-up throughout “I Remember,” and the wedding worthy “Hand In Hand.”

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